Best movies like The Collection

The role of African Americans in the recovery years of the Great Depression is the subject of this informational short, which offers an idealized depiction of life in a segregated society. The highlight, by far, is rare footage of Orson Welles’s “Voodoo Macbeth,” produced in 1935 for the New York Negro Unit of the WPA’s Federal Theatre Project.

The feature length Normal Love is Jack Smith’s follow up to his now legendary film Flaming Creatures. This vivid, full-color homage to B-movies is a dizzying display of camp that clearly affirms Smith’s role as the driving force behind underground cinema and performance art of the post-war era. The cast includes Mario Montez, Diane de Prima, Tiny Tim, Francis Francine, Beverley Grant and John Vaccaro. Smith was known to constantly re-edit the film, often during screenings as it was still unspooling from the projector. This print has been restored under the supervision of Jerry Tartaglia and is provided by Filmmakers Co-operative in New York City.

Two young people arrive in New York to spend a weekend, but once they arrive they're met with bad weather and a series of adventures.

A former secret agent is sent to retrieve a priceless collection of stolen jewels from a Lisbon nightclub owner who worked both sides during World War II.

Shot in France, England, Switzerland and the United States, this documentary covers director Alejandro Jodorowsky (El Topo, Holy Mountain, Santa Sangre) and his 1974 Quixotic attempt to adapt the seminal sci-fi novel Dune into a feature film. After spending 2 years and millions of dollars, the massive undertaking eventually fell apart, but the artists Jodorowsky assembled for the legendary project continued to work together. This group of artists, or his “warriors” as Jodorowsky named them, went on to define modern sci-fi cinema with such films as Alien, Blade Runner, Star Wars and Total Recall.

Yuri Orlov is a globetrotting arms dealer and, through some of the deadliest war zones, he struggles to stay one step ahead of a relentless Interpol agent, his business rivals and even some of his customers who include many of the world's most notorious dictators. Finally, he must also face his own conscience.

In October of 1994 three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary. A year later their footage was found.

With the medical breakthrough of a metal-based synthetic skin called "bio-ferron" the prospect for pioneering surgeries for burn victims and cancer patients seems set to occur but for the warped head scientist in charge...it's a opportunist chance to reactivate a long forgotten classified project...that has been left frozen in a set of cryogenic chambers deep beneath the bowels of government laboratory. Convincing the other in the research team to start work on putting this living 'metal' skin on corpses, he now has the perfect test patients waiting on ice for them to work on. But there was a reason three of these stiffs in particular where left to chill. Due to an experiment gone bad these three only look human on the outside and none of them are as dead as everyone believes they are.

Jerry Kingsley is a wealthy garment manufacturer left lonely in his 60s when his wife dies. Despite the difference in their ages, he strikes up a romance with divorced 24-year-old receptionist Betty. The relationship is dismissed by his daughter, Lillian, discouraged by his sister, Evelyn, and denounced by Betty's mother. But when Jerry begins to mention marriage, even Betty is forced to confront her ambivalence.

In the midst of the current recession, a series of disastrous telephone messages triggers a major domestic crisis fro the Kosnicks, a yuppie couple at the end of their rope. In the height of their despair, a door-to-door salesman tries to sell them a book about positive thinking, but for the Kosnicks it may be too late...

This film, loosely inspired by Anton Chekov's The Seagull, weaves a story about sex, family and the business of making films. When the young and overly sensitive filmmaker Julien screens his new DV art-film starring his girlfriend Lili (Swimming Pool's Ludivine Sagnier) --a sexy young local girl--to his famous actress mother Mado, and her lover Brice, an accomplished film director, an unraveling of the delicate peace in their house begins. The graceful beauty Lili, who dreams of becoming a famous actress like Mado, is immediately fascinated by Brice, who gladly falls prey to her charms.

When documentary filmmaker Danny Hart boards a train at Grand Central Station he has no reason to expect anything more than a pleasant ride to upstate New York to interview the subjects for his latest project. But a chance encounter with a mysterious young woman leads him on a journey of a very different sort. Within the blink of an eye his life of complacency is left behind for a world in which the line between fantasy and reality is blurred...a world of intrigue, danger, and the possibility of blood

Hymn of the Nations, originally titled Arturo Toscanini: Hymn of the Nations, is a 1944 film directed by Alexander Hammid, which features the "Inno delle nazioni," a patriotic work for tenor soloist, chorus, and orchestra, composed by Italian opera composer Giuseppe Verdi in the early 1860s. (For this musical work, Verdi utilized the national anthems of several European nations.) In December 1943, Arturo Toscanini filmed a performance of this music for inclusion in an Office of War Information documentary about the role of Italian-Americans in aiding the Allies during World War II. Toscanini added a bridge passage to include arrangements of "The Star-Spangled Banner" for the United States and "The Internationale" for the Soviet Union and the Italian partisans. Joining Toscanini in the filmed performance in NBC Studio 8-H, were tenor Jan Peerce, the Westminster Choir, and the NBC Symphony Orchestra. The film also included the overture to Verdi's opera La Forza del Destino.

A love story set in Manhattan, where a florist who abides by a strict five-date-limit with any man finds herself wanting more with the new restaurateur in town.

It is the story of Ted Lewis, popular band leader and clarinettist. The music for the film was written by Harry Akst and Grant Clarke, except for "St. Louis Blues" by W. C. Handy and "Tiger Rag". The film's title comes from Lewis's catchphrase "Is everybody happy?" The film's soundtrack exists on Vitaphone discs preserved at the UCLA Film and Television Archive, but the film itself is considered a lost film, according to the Vitaphone Project website. A five minute clip from the film can be found on YouTube.

New York, I Love You delves into the intimate lives of New Yorkers as they grapple with, delight in and search for love. Journey from the Diamond District in the heart of Manhattan, through Chinatown and the Upper East Side, towards the Village, into Tribeca, and Brooklyn as lovers of all ages try to find romance in the Big Apple.

LOVE ETC. is a witty, poignant and humorous exploration about the universal stages of love, depicted through five real stories over the course of one year in New York City. Young, old, gay, straight – everyone has experienced love – and the joy and frustration that come with it. From teen romance to a decades-long marriage; newlyweds to a recent divorcee, and even a bachelor so frustrated in his search that he chooses to have children without a partner, LOVE ETC. documents the intimate journeys of engaging characters aged 18-89 who reflect the city’s diversity, and takes an honest look at life's most challenging pursuit.

While Douglas Coupland works on a grand art project about Canada, the writer recounts his life and his musings about the various aspects of Canadian identity.

A filmmaker discovers a box of video tapes depicting two students' disturbing film project featuring a local horror legend, The Peeping Tom. As he sets out to prove this story is real and release it as a work of his own, he loses himself and the film crew following him into his project.

Following a year in the life of James Sanchez, it's a story about a guy rapidly approaching thirty, who doesn't have a six-pack, full head of hair or a boyfriend. While his best friend Roxy, an actress-turned-activist, struggles with showing him there's life beyond the glitz of the disco ball, his other friend, Brandon, one of those gay boys comfortable in his own gay skin, works on getting James to at least talk to a boy. Feeling out of place in the world of circuit boys, caught between his Hispanic-American heritage and being gay, we watch James find his place in the world, realizing that life is in the journey, not the destination.

Four landscape shots containing a replica of Ted Kaczynski’s cabin, one shot per season. On the soundtrack, Benning reads extracts from Kaczynski’s journals from the early 1970s, recording his progress at hunting and gathering, and his connection to the Montana wilderness; a hand-written folded sheet of paper detailing his acts of “monkey wrenching” and first attempts at planting bombs; two notebooks written in numerical code in 1985 and decoded by Benning in 2011; two excepts from Industrial Society and Its Future by "FC" (aka the Unabomber Manifesto) as published in The New York Times and The Washington Post in 1995; and a 2001 interview with Kaczynski by J. Alienus Rychalski, special correspondent for the Blackfoot Valley Dispatch.

Our story begins in 1979, with a chance meeting in a Salt Lake City parking lot where filmmaker Trent Harris is approached by an earnest small-town dreamer from Beaver, Utah. Harris jumps at the chance when the young man invites him to come to the small town to film a talent show. At the show, the man dons a blond wig and performs in drag as Olivia Newton John. Harris captures it all on tape: A portrait of a true outsider. Harris shot a dramatic piece, "Beaver Kid 2" based on the documentary; This interpretation of the story, made in 1981 on a home video camera with a budget of $100, features a young Sean Penn as "the Beaver Kid". Still possessed, Harris then rewrote the script, cast up-and-comer Crispin Glover in the lead, and created the final segment, "The Orkly Kid", with funding from the American Film Institute. The trilogy unveils the inner world of a fantastic character in three incarnations.

Stalking random people throughout the city, Jim records strangers to upload to his website as part of a voyeuristic social experiment. As he performs reconnaissance on his subjects, Jim meets Samantha, who snares him into her dark and mysterious web. It soon becomes clear that Jim and Samantha's past, present and future are all tied together, connected both by murder and the power of the lens.

For nearly two months, the USS Newark, carrying an experimental, top-secret military cargo, has been lost at sea. When the sub is finally discovered sixty miles off the coast of California, the government, eager to regain the lost cargo, assembles a highly-accomplished salvage team, accompanied by Dr. Carly Ryan - head of the original project - and her assistant. Unaware of the danger lurking within the sub, the team is sent in to recover the cargo and determine the cause of the ship's disappearance. Written by psycroptic

The Magic Show is a one-act musical with music and lyrics by Stephen Schwartz and a book by Bob Randall. It starred magician Doug Henning. Produced by Edgar Lansbury, it opened on May 28, 1974 at the Cort Theatre in Manhattan, and ran for 1,920 performances, closing on December 31, 1978. Henning was nominated for the Tony Award for Best Featured Actor in a Musical and director Grover Dale was nominated for the Tony Award for Best Direction of a Musical. In 2001, a filmed performance staged especially for the cameras in 1980, directed by Norman Campbell at the Queen Elizabeth Theatre in Toronto, was issued on DVD by Image Entertainment. This production, originally intended for cinema release, differed notably from the original Broadway production, with several of the most memorable songs, such as "West End Avenue" and "Solid Silver Platform Shoes", removed. Doug Henning reprised his original starring role, while Didi Conn co-starred as Cal.

An Indian student in Prague and a lonely New Yorker correspond online through video letters. A voyeuristic love story about aching for human connection in a hyper-connected world.

Four friends reunite for a dinner to catch up on each other's lives. As the night progresses, it devolves into a whirlwind of jealousy, lies and big revelations. This dramatic story unfolds in real time.

Co-director Robert Margolis stars as Robert, an actor who may or may not be himself in this intense and often hilarious film about acting, aging and the dark side of ambition. Blurring the line between fact and fiction, The Definition of Insanity was filmed over the course of 18 months, as a documentary crew follows Robert Margolis obsessively from one failed audition to another, recording in raw detail his every humiliation and small triumph as he searches for that elusive perfect role that will catapult his career into the next level. Just when it seems that he will be forced by family and financial pressures to give up everything he has worked for, he meets legendary filmmaker Peter Bogdanovich («The Last Picture Show», «Papermoon»). That encounter changes his life profoundly, but in a very different way than he had anticipated.

Apathy, technology, paranoia, disease and medication. Meet Arin. Arin is a shy videographer who finds it too much to handle to go out and meet girls, so he sets up an account on meester.net. The flood of responses never comes, save for one email from Susan, a struggling artist who finds her job as a waitress stifling her creativity. Susan is also on the shy side and is seeking an alternative to the classic dating situation. When Arin and Susan finally meet, that alternative dating situation comes to life as the two refuse to communicate verbally with each other, wanting to avoid bs small talk.

Go inside the chaos and courage of the Sept. 11, 2001, attacks in New York in "9/11", updated fifteen years later by the original filmmakers. As the only documentary footage from inside the Twin Towers, the film is a gripping minute-by-minute account of that harrowing day through the lens of French filmmakers and brothers, Gédéon and Jules Naudet, and firefighter James Hanlon. The 2016 edition features a new intro from Denis Leary, who is closely aligned with advocacy for first responders. The updated material focuses on the ongoing health issues that 9/11 firefighters have battled, and the inspiring stories of “legacy kids” — women and men who lost loved ones in the attack and have since become firefighters.

A personal take on working with Harold Pinter via intimate conversations with actors, directors and writers who share their experiences of the man and his work.

Way Off Broadway is the story of five friends who, frustrated by the abrupt juxtaposition of being successful artists on the university level to poor struggling artists in New York City, take a crash course in life as they explore the dynamic of conflict in friendship involving sex, love, failure and betrayal.

A young secretary falls in love with her boss, a middle-aged playwright. Complications ensue when her boss' son falls for her.

A lesbian couple experiences microaggressions at a workshop upstate. Claire and her fiancée Monica embark from the boisterous streets of New York City to the Berkshires, where Claire has been invited to stage her latest work at a rural theater company. While Claire's actors question her ability to write heterosexual dialogue, Monica encounters her own source of micro-aggression in the form of Mutty, the groundskeeper.

A movie about making movies about making movies. In 1968, William Greaves shot several pairs of actors in a scene in which a woman confronts her husband and ends their relationship. In "Take 2 1/2," Greaves starts with 1968 takes of one of these pairs of actors plus footage of the crew discussing the film's progress. Then, 35 years later, Greaves brings back to Central Park those actors and some of the original crew (plus others) to film a reunion of the characters Alice and Freddie. We watch scenes of these characters and discussions among the actors and crew. Greaves explores and dramatizes the dialectic in the creative process.