Best movies like The Outcast

Mary Barrett is an aspiring opera singer who is taken under the wings of a famous operatic maestro, Guilio Monterverdi. After spending endless working hours together and arguing, their relationship develops into love. But, jealousy and misunderstandings prevent Mary and Guilio from acknowledging their true feelings.

A Broadway producer is in a quandary when he discovers that the opening of his newest big production coincides with that of a major charity event. He despairs that the show will close after opening night until an ingenious writer suggests that he simply give the production snob-appeal by making the tickets nearly impossible to get by fabricating a story that they were all purchased by a flamboyant Texas oil baron who is totally besotted by the show's star.

A nightclub performer, jealous about the talents of an aspiring singer, tries to sabotage her chances at a professional career.

P.C. George Dixon is a long-serving traditional copper who is due to retire shortly. He takes a new recruit under his aegis and introduces him to the easy-going night beat. Dixon is a classic ordinary hero but also anachronistic, unprepared and unable to answer the violence of the 1950s.

Two drifters bum around, visit earthy women and discuss opening a car wash in Pittsburgh.

An irresponsible Broadway star gets mixed up with gambling and gangsters.

Bobby Lee (Jack Conrad) has just been released from jail and wants to make a better life for he and girlfriend Ruthie (Rita George).

This is a film about the life of Gus Edwards, a well known vaudeville composer, entertainer, and producer.

A golf-crazy songwriter tries to avoid the long, solitary hours of concentration needed to produce a hit musical. His producer and his secretary conspire to get him back on track.

The road-show troupe of a top Broadway show go cross-country while taking the audience along on the on-stage scenes as well as what happens and is happening back stage of the production. The spectacular dancing ensembles and colorful costumes and pulchritude on-stage offers a contrasting background to the drabness of the backstage, where joy, sorrow, tragedies, deception, and romance are intertwined.

An all-girl band flees to Argentina to avoid their creditors. Comedy with songs.

A famous singer and matinée idol helps a pretty young theater usher in her dreams of becoming a singer, but when her career begins to take off and she becomes engaged to a wealthy young man, he realizes he's fallen for her and plots to break up her impending marriage.

An actor and two songwriters become rural con men.

Steve, revue producer in Rio de Janeiro, is still in love with his ex-wife Vicki, his star Linda is in love with Steve and Tito is in love with Linda. Because of this they all get small problems.

An aspiring singer and her lover, a songwriter who has desperately resorted to writing radio jingles, have many conflicts on their road to success...

The film concerns a family vaudeville troupe headed by patriarch Pete Monahan. Because of his love affair with the bottle, Pete manages to get himself and his family blacklisted from every major vaude house in the country. Though Pete's kids Jimmy and Patsy love their dad, they're forced to break away from the act and go off on their own to survive. Eventually, the whole gang is reunited in a shamelessly lachrymose musical finale.

In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.

A newspaper reporter keeps beating the police to clues in a current murder case. This makes the police think he may be involved in the crime.

Horse racing provides the framework of this crime drama that centers on an orphan who has been raising a promising horse.

Sad-eyed, uniquely talented child actress Edith Fellows was Columbia's "answer" to Shirley Temple, Jane Withers and Deanna Durbin. In Little Miss Roughneck, Fellows is cast as Foxine LaRue, a tomboyish sort who is being prodded into a show-biz career by her stage mother Gert (Margaret Irving). Young Mr. Partridge (Scott Colton) becomes Foxine's agent, principally because he's sweet on the girl's older sister Mary (Jacqueline Wells). Blackballed from Hollywood because of her mother's pushiness, Foxine tries to help out Partridge and her own family by cooking up a bizarre publicity stunt, enlisting the aid of easy-going Mexican "papacita" Pascual (Leo Carrillo).

Eleven Gilbert & Sullivan numbers are melded within the murder-mystery plot of "Girl on the Spot", with a result that either G&S and/or the plot are always seemingly on stage-wait or in the wings awaiting a cue. Lois Collier is the girl-on-the-spot of the title because she was on the scene of a murder. The police conclude she didn't do it and they use her to set a trap for the real killer, a G&S addict, by financing a Broadway production starring Collier.

A popular child star, exploited and overworked by her greedy guardians, decides enough is enough--and takes it on the lam.

Bookmakers try to fix a horse race.

Myrt has a show chock full of talented performers that deserves to be on Broadway, but can't raise the necessary money. Jackson, a lecherous "producer", provides the money in order to get his hands on the show's pretty young star, Marge. Myrt teams up with Marge's boyfriend to try to thwart the randy producer and get the show to Broadway.

The various residents and occupants of a resort hotel await the outcome of a horse race at a nearby track, as it will affect each of their lives in different ways.

A troupe of traveling entertainers become stranded in Paraguay.

Burlesque queen Doll Face Carroll is dismissed from an audition for a legitimate Broadway show because she lacks culture. Her boss/manager Mike decides that she can get both culture and plenty of publicity by writing her autobiography. He hires a ghost writer to do all the work, but doesn't count on the possibility that Doll Face and her collaborator might have more than a book on their minds.

Broadway producer Jerry Flynn is anxious to recapture the magic and reclaim the crowds after a set of costly flops. Outside his theater one night, Flynn meets a young boy who just might save the day. Inside a small box the boy shows Flynn his pride and joy: a caterpillar named Curly that dances to Yes Sir, That's My Baby. Word quickly spreads about the amazingly talented hoofer, and the caterpillar becomes a symbol of hope for wartime America. Soon, offers are pouring in to capitalize on this sensational insect.

Harriet Green, a beloved and radiant music hall star of the Edwardian era mysteriously disappears on the eve of her wedding. Years later she reappears on the stage as young looking and beautiful as ever.

Two couples work through their issues in this backstage Broadway musical.

A girl from a show-business family seeks a backer for her boyfriend's musical.

Broadway dancing star Adele Dorey who, overworked and exhausted, suddenly ups and leaves New York in favor of a country village. But when promoter Bobby Lewis (Egan) of the barnstorming Gay Girlies Burlesque Company arrives in town, he picks an incognito Adele among all the pretty village girls to star in his new show. On a lark, Adele introduces her maid Jane (Louise Fazenda) as her mother and accepts a contract. When Adele's identity is finally revealed, the slumming star apologizes for her deception by offering Bobby a Broadway job.

Musical comedy star Jimmy Leighter wants to get away from show biz and his leading lady Winnie Clark, so he joins the Army. There he gets the order to put on a show, Winnie Clark appears in a camp show, hears about his task and offers him his help. He thinks, she does it for her publicity only, so he doesn't want to know anything about this, till he finds out, that she has no such intentions.

Jack Haley plays Jack North, the nether end of a vaudeville horse act who inherits a western ranch. When he heads to the Great Outdoors to take possession, Jack winds up at the wrong place: a swanky dude ranch. He immediately begins running things, at it's quite a while before his error is discovered. By the time he shows up at his own ranch, he's up to his ears in unpaid debts-which naturally requires a fund-raising musical show as a bail-out. Harriet Hilliard handles the romantic portion of the proceedings, occasionally dueting with her real-life husband, bandleader Ozzie Nelson.

Eddie Kehoe is a young vaudeville hoofer who thinks his inability to hit the big time is the fault of stage managers, agents, musicians...everybody but himself. Eddie likes to tell others how good he is, but seldom shows them. Kitty Mayo, an old-time burlesque queen, who is with the McNary Vaudeville Company, advises Eddie to get himself a partner, as his solo abilities can only be stretched so far. He decides to follow her advice and, while in a theatrical supply shop, he sees Rita Carey rehearsing her dancing act that includes a trained duck. Eddie tells Rita he is a good friend of McNary's, and, with him as her partner, her future in show business will be secured. She agrees to join him and Eddie promptly names the act "Eddie Kehoe and Partner". Despite his conceit, Rita likes Eddie, as do others in the troupe, including Cleo a little gold-digger.