Best movies like Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood

A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.

An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.

One of the first screen outings for Will Hay. Hay plays the Director General of the National Broadcasting Group (NBG) who hides away in his office unaware that the general feeling about his programming is that it is too high-brow and the public are not happy. However, when he discovers this he decides to take action and promotes Jimmy, his Head of the Complaints Department, to Programme Director. Jimmy decides that a series of variety spectaculars are what the public want and sets about hiring the acts. But obstacles are put in his way and he discovers that the NBG has its own cluster of wannabe variety stars.

The story of the 1950s platinum-blonde sex symbol whose search for stardom and meteoric (if brief) career ended in an automobile accident when she was 36.

With archive film clips and interviews, this brief look at a frequently overlooked historical period of filmmaking acts as an introduction rather than a complete record. It features interviews with some of the genre's biggest stars, like Fred Williamson, Pam Grier, and Richard Roundtree. Director Melvin Van Peebles discusses the historical importance of his landmark film Sweet Sweetback's Baadasssss Song. For a contemporary perspective, the excitable Quentin Tarantino offers his spirited commentary and author/critic bell hooks provides some scholarly social analysis.

New York City's Stonewall Inn is regarded by many as the site of gay and lesbian liberation since it was at this bar that drag queens fought back against police June 27-28, 1969. This documentary uses extensive archival film, movie clips and personal recollections to construct an audiovisual history of the gay community before the Stonewall riots.

Promoter "Smoothie" King helps a pair of phonies con their way into a movie company. As Wanda heads toward stardom, she turns more and more from King toward the matinée idol. King must decide between his plans and her happiness.

The career of screenwriter Dalton Trumbo is halted by a witch hunt in the late 1940s when he defies the anti-communist HUAC committee and is blacklisted.

A young mechanic gets a job with a small airline, which he helps win a mail contract. A rival airline plots to destroy it in order to get the contracts for itself.

This historical and critical look at slasher films, which includes dozens of clips, begins with Halloween, Friday the 13th, and Prom Night. The films' directors, writers, producers, and special effects creators comment on the films' making and success. During the Reagan years, the films get gorier, budgets get smaller, and their appeal wanes. Then, Nightmare on Elm Street revives the genre. Jump to the late 90s, when Scream brings humor and TV stars into the mix.

Actor Ned Beatty hosts a look at the genre known as "exploitation" films. Interviews with some of the producers and directors of these films are shown, along with scenes from and trailers for some of these films.

A girl on the road to stardom fights the dehumanizing effects of Hollywood life.

Daniel Anker’s 90-minute documentary takes on over 60 years of a very complex subject: Hollywood’s complicated, often contradictory relationship with Nazi Germany and the Holocaust. The questions it raises go right the very nature of how film functions in our culture, and while hardly exhaustive, Anker’s film makes for a good, thought provoking starting point.

Brought to Versailles as the companion of courtier D'Aigullon, former street waif Madame du Barry charms her way into the heart of gouty King Louis XV.

1930s Hollywood is reevaluated through the eyes of scathing social critic and alcoholic screenwriter Herman J. Mankiewicz as he races to finish the screenplay of Citizen Kane.

The most famous murder scene in movie history comprises 78 camera settings and 52 cuts: the shower scene in Alfred Hitchcock's Psycho. 78/52 tells the story of the man behind the curtain and his greatest obsession.

A documentary primarily focusing on the filming and release of the original Texas Chainsaw Massacre.

A young actor arrives in Hollywood in 1969 during a transitional time in the Industry.

Unscrupulous agent Rush Blake makes singing waiter Buddy Clayton a big radio star while Peggy Cornell, who has lost her own radio show, helps Buddy.

Jack Oakie and Jack Haley are songwriters are enroute from New York to Hollywood to make their fame and fortune; Ginger Rogers, a lunchwagon proprieter, joins them.

Story of a Hollywood studio during the transition from silents to talkies.

Down-on-his-luck film director Jimmie Dale takes a job at a fly-by-night acting school. He is drawn into the plans of the school's owner to bilk a wealthy young man out of the funds he has supplied to shoot a movie starring pretty student Alice Perkins. But Jimmie hopes to bilk the bilkers by actually completing the movie as ostensibly planned.

A failed poet ends up becoming a gag writer for a bombastic comedian.

An aspiring Hollywood actress, on a visit to a charming North England town, has a brief fling with the town undertaker, who also writes obituaries for the local paper. Returning home, where she works as a waitress at a Japanese restaurant, she tells everyone about the handsome "writer" she met on her trip. Unfortunately, he decides to follow her back to Hollywood, setting up the expected light romantic comedy with asides as the newcomer gains experience about the goings on in Hollywood.

To Hell and Back: The Kane Hodder Story is the harrowing story of a stuntman overcoming a dehumanizing childhood filled with torment and bullying in Sparks, Nevada. After surviving a near-death burn accident, he worked his way up through Hollywood, leading to his ultimate rise as Jason Voorhees in the Friday the 13th series and making countless moviegoers forever terrified of hockey masks and summer camp. Featuring interviews with cinema legends, including Bruce Campbell (Ash vs. Evil Dead), Robert Englund (Freddy Krueger), and Cassandra Peterson (Elvira: Mistress of the Dark), To Hell and Back peels off the mask of Kane Hodder, cinema's most prolific killer, in a gut-wrenching, but inspiring, documentary. After decades of watching Kane Hodder on screen, get ready to meet the man behind the mask in To Hell and Back - an uniquely human story about one of cinema's most vicious monsters.

A movie producer who made a huge flop tries to salvage his career by revamping his film as an erotic production, where its family-friendly star takes her top off.

This documentary highlights the historical contexts that gay, lesbian, bisexual and transgender individuals have occupied in cinema history, and shows the evolution of the entertainment industry's role in shaping perceptions of LGBT figures. The issues addressed include secrecy – which initially defined homosexuality – as well as the demonization of the homosexual community with the advent of AIDS, and finally the shift toward acceptance and positivity in the modern era.

Microbes are brought back to earth via a space probe from Venus. A scientist is using them in experiments on aging, but dies before the work is finished. His assistant approaches an aging actress who is being passed by for the lead roles, and she injects the serum hoping to become young again. When the actress is still passed up for the plum roles, the alien bacterium transforms her into a hideous bug-like alien resulting in a predictable attrition problem amongst her detractors.

Before the advent of modern-day pornography, a vast and rapidly-paced world of smut peddling was the norm, complete with its own secret history. This documentary reveals the untold story of American cinema's gloriously sordid cinematic past. Starting in the 1920s, expert exploiteer David F. Friedman and Henenlotter navigate us through more than five salacious decades of skin flicks. It's the true story of dirty movies, traced in elegant detail from the bizarre locations where these nudie shorts were screened to the ongoing legal battles fought by their promoters. And of course there are the stories of the innovators themselves, people who often risked their own security and livelihood to make these films, believing in some way that what they were doing wasn't a 'bad' thing - and that it could rake in some dough.

Douglas Fairbanks Jr. and Peter Fonda host an examination of the history of decency standards for movies from the early 1920s onwards.

Gracie Allen assumes the "management" of the shop owned by her papa Horatio Allen, turning it into a radio station and then an aviary---with the usual Gracie Allen logic---while distracted Papa is trying to get younger daughter, beauty contest winner Florence, married before she can head to Hollywood and get into the movies.

"La La Wood" follows the legacy of Jiminy Glick, first introduced on "The Martin Short Show," who went on to get (non)-critical acclaim for his talk show "Primetime Glick," where Mr. Glick interviewed countless celebrities (which usually ended in verbally--sometimes physically--insulting/assaulting them). Now comes "La La Wood"--Jiminy Glick's home. This is his story (sort of).

A look at the famous director written and presented by Lindsay Anderson.

An intimate portrait and saga of four film pioneers--Harry, Albert, Sam and Jack who rose from immigrant poverty through personal tragedies persevering to create a major studio with a social conscience.

The story of Tasmanian-born actor Errol Flynn whose short & flamboyant life, full of scandals, adventures, loves and excess was largely played out in front of the camera - either making movies or filling the newsreels and gossip magazines. Tragically he was dead from the effects of drugs and alcohol by the time he was only 50 & the myths live on. But there is another side of Flynn that is less well known - his ambitions to be a serious writer and newspaper correspondent, his documentary films and his interest in the Spanish Civil War and Castro's Cuba

With his naïve air, his rangy and reassuring silhouette, James Stewart symbolizes success, someone who everybody wants to look like. Behind his legendary nonchalance, Robert Mitchum is the figure of the bad boy, the kind-hearted hooligan who anyone would like to have for accomplice. What is the legacy left by these two big myths of the Hollywood cinema and in which way they fed the American dream?

Naive Iowa farm boy Lewis Tater dreams of being a famous Western novelist like his hero, Zane Grey. He leaves home to answer a writing correspondence course's ad for on-campus classes, only to discover that the school consists of a row of postboxes at an isolated Nevada train depot. On the run from the con men responsible, Lewis stumbles across "real" cowboys--cowboy actors shooting a movie in the desert. The would-be writer soon finds himself instead acting in Westerns, for the rundown Tumbleweed Productions studio, in Depression-era Hollywood.

Jimmy Durante is jungle movie star Schnarzan the Conqueror, but the public is tiring of his fake lions. When Baron Munchausen comes to town with real man-eating lions, Durante throws him a big Hollywood star-studded party so that he might use the lions in his next movie. But, his film rival sneaks into the party to buy the lions before Durante.

At a funeral, we learn about the man-whore past of the deceased.

A farce based on Arthur Wing Pinero's play 'The Magistrate' in which the son (John Mills) of a stern magistrate (Will Hay) visits a music hall against the wishes of his father. In true farcical style, the magistrate too ends up at the music hall, and before long all the characters are trying not to avoid each other... Mainly notable (a) because of its depiction of the music hall as seen by a generation which knew it intimately (b) because of its use of music hall acts of the time and (c) because it gave Will Hay his first film role.

A lady gas station attendant gets mixed up with escaped murderers.

Deep rooted religious beliefs seemingly going back to the Pilgrim Fathers' puritanism dominate a society which is entertained by violence to no end on a daily basis. If it is true that American movies reflect American society, the United States have yet another severe problem: a lack of open sexuality and eroticism.

In 1996, the horror master Wes Craven unleashed Scream, a slasher movie aimed at a whole new generation of teenage movie-goers.

Documentary about the making of 20th Century Fox's 1963 film "Cleopatra," then the most expensive film of all time.

Hell on Earth is an hour-long documentary presented by Mark Kermode. It's about Ken Russell's 1971 film, The Devils which is one of the most controversial films ever made. Kermode chats to Russell as well as two of the films stars Georgina Hale and Murray Melvin. Also included are scenes that were cut from the released film for being too controversial.

Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.

The year is 1942, and Archie Glass Is trying to get into Hollywood. His chance comes as he is offered a job: Find a young white movie star before the press reports that she is missing and he will have a shot at his Hollywood dream. Thus begins a journey into a Los Angeles you have never seen before, the actors who play the maids, the busboys, the background actors in jungle films, all spring into the foreground in this dramatic noir about a man willing to do anything to make his dream come true. Archie searches the back alley of Hollywood and discovers more lies than truth. Ultimately he finds the woman he is looking for and the dark reality of being a black man in tinsel town.

In this through-the-years saga about a show business family, the fame of husband and wife vaudeville headliners of the 1880s is eclipsed by their son.

An actress is murdered in the midst of shooting a dance sequence for her latest picture, with Inspector Steve Trent on the case.

Directed by Kevin Burns, this documentary from Playboy Home Video examines the oftentimes tense relationship between sex, women, and popular Hollywood culture. With a particular focus given to Marilyn Monroe, Jayne Mansfield, Jean Harlow, and Sharon Stone, Sex at 24 Frames Per Second studies the role of female sexuality in film throughout the years. ~ Tracie Cooper, Rovi