Best movies like Trottie True

A Broadway producer is in a quandary when he discovers that the opening of his newest big production coincides with that of a major charity event. He despairs that the show will close after opening night until an ingenious writer suggests that he simply give the production snob-appeal by making the tickets nearly impossible to get by fabricating a story that they were all purchased by a flamboyant Texas oil baron who is totally besotted by the show's star.

Sam Bisbee is an inventor whose works (e.g., a keyhole finder for drunks) have brought him only poverty. His daughter is in love with the son of the town snob. Events conspire to ruin his bullet-proof tire just as success seems near. Another of his inventions prohibits him from committing suicide, so Sam decides to go on living.

A perpetual dreamer talks his wife into moving with him from their home in Australia to South Africa, where he hopes to discover gold and finally become wealthy.

The grandmother of a British nobleman, reluctant to marry, plays matchmaker. He outmaneuvers her by getting all of the matches married off .

Two wealthy Victorian widows are courted tentatively by two impoverished British aristocrats. When one of the dowagers suggests that her beau go away with her for a month to see if they are compatible, the fireworks begin.

A music-hall star and his best mate are conned out of their earnings (twice!) and left with nothing but a beloved greyhound.

A comedy of discriminating taste and dirty little secrets, the story is set in 1952 England, where Nigel, the Earl of Marshwood, woos Hollywood star Miranda Frayle, upsetting both his mother, Countess Felicity of Marshwood, and her former love, fellow Hollywood star Don Lucas. Right before the engagement party to be held at Marshwood, Moxie, the Countess's personal maid and best friend reveals that Miranda is her estranged sister. Crestwell, the Countess's butler, quickly devises a plan-but an inebriated Lucas's arrival at Marshwood to try to talk to Miranda causes all chaos to break loose.

A rule bound head butler's world of manners and decorum in the household he maintains is tested by the arrival of a housekeeper who falls in love with him in post-WWI Britain. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude.

Rose Sargent, a Roaring '20s singer, becomes a Ziegfeld Follies star as her criminal husband gets deeper in trouble.

When his mother eloped with an Italian opera singer, Louis Mazzini was cut off from her aristocratic family. After the family refuses to let her be buried in the family mausoleum, Louis avenges his mother's death by attempting to murder every family member who stands between himself and the family fortune. But when he finds himself torn between his longtime love and the widow of one of his victims, his plans go awry.

Lord Loam has modern ideas about his household, he believes in treating his servants as his equals - at least sometimes. His butler, Crichton, still believes that members of the serving class should know their place and be happy there. But when the Loam family are shipwrecked on a desert island with the self-reliant Crichton and lady's maid Tweeny, the class system is put to the test.

John Livingston is a rich mama's-boy, who owns a blooded dog named Paul. Paul meets Maggie Mutt, and Paul, being a pedigree canine and somewhat of a cad, lures trusting Maggie to the barn to have his way. He then departs for his palatial doghouse at the Livingston estate. Meanwhile Maggie is broken-hearted and also finds that she is in a "family way", and gives birth to a pup she names Hank. Maggie tells Hank to find his "human ", and departs the scene. Hank goes to the park, meets a "human" named Mary Kelly, who is a homeless waif and sweetheart of poverty, and the two adopt each other. Later on in the park Paul comes strolling along with his 'human', John. A child falls into the lake and Paul and Hank team up to save her.

A chronicle of the life of 18th century aristocrat Georgiana, Duchess of Devonshire, who was reviled for her extravagant political and personal life.

Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on 'Mr. X'. After Alyce goes to London to meet a beau she is restricted to the castle to curb her scandalous behavior. Albert then summons Jerry to Alyce's aid in order to 'protect his investment'.

Things get tough for Carol and her showgirl pals, Trixie and Polly, when the Great Depression kicks in and all the Broadway shows close down. Wealthy songwriter Brad saves the day by funding a new Depression-themed musical for the girls to star in, but when his stuffy high-society brother finds out and threatens to disown Brad, Carol and her gold-digging friends scheme to keep the show going, hooking a couple of millionaires along the way.

A British peer's romance with a ballerina courts scandal in 1890s London.

It is the story of Ted Lewis, popular band leader and clarinettist. The music for the film was written by Harry Akst and Grant Clarke, except for "St. Louis Blues" by W. C. Handy and "Tiger Rag". The film's title comes from Lewis's catchphrase "Is everybody happy?" The film's soundtrack exists on Vitaphone discs preserved at the UCLA Film and Television Archive, but the film itself is considered a lost film, according to the Vitaphone Project website. A five minute clip from the film can be found on YouTube.

When Tom Brown arrives at Rugby boarding school, he’s mercilessly tormented by the school’s evil bully Flashman. With the help of his friend East, plucky Brown devises a plan to get back at Flashman; in the meantime, he’s asked to look out for a timid new student, whose life is accidentally put in peril during a school race.

A debauched young aristocrat entrusts the running of his country house to Tom, the butler, on whom he depends absolutely. Before long the servant begins to dominate his master, to the alarm of the newly hired German nanny who senses sinister, demonic intent in Tom's control of the house.

The story that inspired Albert Chevalier to write his immortal Costermonger song, 'My Old Dutch', is the story this picture tells of London's quaint and sturdy tradesmen - her humble vegetable peddlers

A woman takes in boarders to support her husband's harebrained financial schemes.

In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.

Shirley is the youngest of eight children from a mixed race marriage. By the time she is a toddler the family have moved to the all white area of Splott and by the time she is 12 Shirley has discovered she has an extraordinary voice and can earn money singing in pubs around the docks after her father if jailed for sexual crimes. As a young teenager she begins singing and dancing in 'coloured review shows'. But it is a chance meeting with struggling agent Mike Sullivan that changes her life forever. He promises to make her a star, but has no idea of the personal sacrifice that will mean for the teenaged Shirley.

Stiff Upper Lips is a broad parody of British period films, especially the lavish Merchant-Ivory productions of the 'eighties and early 'nineties. Although it specifically targets A Room with a View, Chariots of Fire, Maurice, A Passage to India, and many other films, in a more general way Stiff Upper Lips satirises popular perceptions of certain Edwardian traits: propriety, sexual repression, xenophobia, and class snobbery.

A man watching a musical show at the Windmill theatre is shot apparently from the stage. The cast continues the performance so that the detective can solve the murder.

Captain Terrance Connaughton loses his stable of horses in a card game with Algernon Cravens.

Marine bandmaster John Philip Sousa (Clifton Webb) becomes famous for his marches and inspires the sousaphone.

A glittering drama of Imperial Russia in the days before the Revolution and the reckless life of the aristocracy in the days of the Czar, featuring gorgeous gowns, beautiful women and spectacular settings.

An American lawyer's wife is reunited with her child and his father, an English nobleman.

A bawdy story of how a poor damsel surrenders her virtue again and again to get to the top of society.

Molly Hull, a maid, and Sam Sutton, a butler, are bequeathed a million dollars, and they encounter many problems and difficulties as they try to become the newest members of the idle rich.

The Young Visiters, written in twelve days by nine-year-old Daisy Ashford in 1890, is a surreal blend of naiveté, precocious perception and inadvertent social satire.

A super-efficient secretary at a department store falls for and marries her boss, but finds out that taking care of him at home (and especially his spoiled-brat daughter) is a lot different than taking care of him at work.

Nancy Willows (Constance Towers), pretty blonde high school teacher, writes song lyrics which spark the careers of struggling young pianist-composer Martin Adams (Keefe Brasselle')and would-be singer Jerry Dennis (Frankie Laine). When Nancy and Martin fall in love but quarrel over her old flame, David Parker (William Leslie), Nancy returns to her teaching job. Jerry reunites Nancy and Martin and, in turn, succumbs to the charms of his new secretary Marge Stevenson (Lucy Marlow).