Best movies like Confession

Set against the backdrop of a decaying Midwestern town, a murder becomes the focal point of three people who work in a doll factory.

An introverted schoolgirl falls in love and starts a relationship with one of her classmates. Set in a small seaside town in Japan, the love of her life eventually leaves her for her boyfriend in Tokyo.

Dagwood prepares for a long-delayed vacation with the family. His boss Mr. Radcliffe has promised the Bumsteads that there'll be no more postponements for their holiday. But when something comes up that requires Dagwood's presence, Radcliffe hires a couple of thugs to steal Blondie and Dagwood's luggage so that they'll have to stay in town. And that's only the beginning of the frantic fun.

World War II finally reaches a Yugoslavian lake, where a lifeguard shelters a refugee and her son.

Fresh from group therapy, a man shares odd anecdotes with ten others inside a church.

The only movie theater on the Onomichi seafront is about to close its doors. Its last night of screenings will be an all-night marathon of Japanese war films. When lightning strikes the theater, three young men in the audience find themselves thrown back in time into the world inside the screen.

Porky Pig regrets picking up a hitchhiking Daffy Duck, whose anarchic driving habits forced on Porky result in the two being apprehended.

Sonny falls asleep while his mom reads him a bedtime story and wakes up in Balloon Land, a magical world filled with giant balloon people and animals.

A lonely widower finds a mysterious video on his computer that leads him to an abandoned town occupied by an ominous entity.

Using a conventional Western story with an all dwarf cast, the filmmakers were able to showcase gags such as cowboys entering the local saloon by walking under the swinging doors, and pint-sized cowboys galloping around on Shetland ponies while roping calves.

Based on the 1928 novella written by Georges Bataille, the film takes place in a seemingly abandoned house where a group of people engage in bizarre wordless acts. Just as the book does, the film spans several vignettes.

After his parent's divorce, Kazuo Saito moves with his mother from Onomichi and must leave his girlfriend behind. At his new school, Kazuo is surprised to reunite with his childhood friend Kazumi.

Secret Santa tells the story of a group of eccentric college kids, struggling to get through the hectic exam period. A liquor filled party is planned. Adding a Secret Santa exchange for fun. Little do our characters know - A killer is in town and has a special present for all the good (and bad) girls and boys.

The film follows the events of the night of February 4, 1992 in Caracas, Venezuela. That night a group of military rebels staged a coup d'etat. Venezuelans found themselves as virtual prisoners. As the coup starts and fighting takes place from a military base which is in the center of the city's most affluent areas, with both luxury high rises and palatial mansions. The area of La Carlota provides a wealth of very interesting, often flamboyant and typical characters of the Latin America upper middle and upper classes. They are among the most affected. Various vignettes in these different characters' homes are developed. These people's reactions, lifestyles, vices, and humanity come out in a very honest fashion under duress.

A tale of three Yakuza gamblers who traveled Japan during the samurai era living by their wits and sword skills. Told in 3 separate vignettes, each part tells the story of a different drifter’s life. Part 1: A man is on the run after killing two Hasshu Officials to avenge his Boss. He must make a life or death decision as he is asked to protect a gang from attack. Part 2: A pair of gamblers chased out of a crooked game must fight not only their pursuers, but the ghosts of their pasts as well. Part 3: A wanderer who wants to live according to the Yakuza Code, but is not sure that he can do so when asked to save a town from an evil official.

The Loud family travel to Scotland and discover they are descendants of Scottish royalty as they move into their giant ancestral castle.

With their friends, Chelsea and Barbie take us on a fantastical journey, embarking on amazing adventures and exploring new lands full of limitless possibilities.

If a year spent driving a town car in Las Vegas teaches Cameron anything, it’s that everybody is looking for an outlet—even himself. Growing up gay in Key West isolated him from his peers, and while Vegas is a whole new world—vibrant and alive in a way the Keys could never be—he finds that he’s removed from it, existing between the doors of a limousine. That is until the fateful weekend when Kyle charters a plane and brings his best boys to Vegas to celebrate Joey and Angel's college graduation. Tasked with driving the guys around for their debaucherous evenings, Cameron listens to the stunners spill their secrets about sex and desire, while a series of scorching vignettes bring you along for the ride. Lust, devotion, and love are on the line as Cameron navigates his way through the city of sin.

Joe, inventor in an American Small town of 1895 has problems with his new invention, a car, driven with a gasoline motor. Everybody is making fun about his "crazy invention", only his girl friend believes in him. When he's halfway successful, another woman tries to win his heart, and his girl-friend thinks he has quit with her. But on a race for those new horse-less vehicles, he gets in trouble and only his former girl friend is able to help him.

Cleopatra situates itself in the same relationship to Hollywood as the Warhol/Morrisey films of the period. It corresponds to Joseph Mankiewicz's 1963 Cleopatra, starring Elizabeth Taylor and Richard Burton which Auder's cast watched and used as the starting point for scene by scene improvisation Auder drew his cast from Warhol's ensemble – including not only Viva and Louis Waldon, but also Taylor Mead, Ondine, Andrea Feldman, Gerard Melanga and others.

Comedy that takes the audience on a pub crawl around the seaside town of Hastings with its ensemble of fun and kooky characters as they tackle everyday life.

Remember when Forbes Field was the world’s greatest ballpark? When the Dips roller coaster at West View Park came out to Route 19? When everyone went to the Allegheny County Fair? When streetcars ran all over town? They’re all parts of this warm and winsome program about Pittsburgh’s past, this heartfelt tribute to great and old places where people used to go to have fun.

An anthology film consisting of four segments, entitled "Hot Boys," "The Sleep Creep," "The Meat Man," and "Silver Bullets," each of which obliquely dramatizes an incident of sexual assault. The four stories take place in the same small American town on four different holidays: Halloween, Thanksgiving, Christmas and Valentine's Day. "What Fun We Were Having" screened publicly once at the 2011 Fantasia International Film Festival, but received no further distribution.

A filmmaker continues shooting his film after his funding is pulled - a grim reality he has kept secret from his cast. His mind awash in the noise of memory and morphine, he reflects on his own life through the characters in his script. The story is told with highly stylistic vignettes projected in the black void of his mind, bringing to life each of the characters he has created on paper. "Phantom Images" explores the new challenges confronting gay men - and the cultural changes that have made communication between generations more difficult.

Members of an opera company performing Donizetti's "Lucia di Lammermoor" find their lives parallel those of the characters.

From arcade games to sled days and hiccup cures, Cory Carson’s curious little sister Chrissy speeds off on her own for fun and adventure all over town!

Little Snow White is growing up fast and when her bestie Dorothy is in trouble, the sassy princess quickly calls on the bravest gang of fairytale characters ever assembled to come to her friend's rescue. Meet adorable Little Red Riding Hood, mischievous Pinocchio, big-hearted Robin Hood and brave King Arthur. Together they are the Fairytale Fun Force and they are ready to spring into action. Blunderboar the giant and his trusty hound Jack have stolen Cupid's arrow, Hatter's tea set and the Cheshire's Cat body to create a magic potion that will trap Dorothy in Oz forever. Will Snow White and her posse rescue Alice and defeat Blunderboar? Join your favorite fairytale characters to find out in Snow White And The Fairytale Fun Force.

Lamentations: A Monument to the Dead World belongs to a 35-hour film cycle, The Book of All the Dead, which comprises the bulk of Toronto-based Bruce Elder’s filmmaking from 1975 to 1994. In ancient Egyptian culture, the Book of the Dead consisted of religious texts intended to help preserve the spirit of the departed in the afterlife — but in Elder’s reading, that comforting idea of continuity takes on a rather darker cast. Lamentations is comprised of a complex audio and visual patchwork: a philosophical meditation superimposed as text throughout the film; vignettes featuring a comical but disturbing Franz Liszt, a debate between Isaac Newton and George Berkeley, an angry, deranged man in an alley, and an arrogant psychiatrist; and a final search for salvation in the forests of British Columbia, the American Southwest, and Mexico’s Yucatan.

The program, deftly taped on a studio sountstage simulating the cobbled streets, stately, facadest colorful produce and quaint shops of the Drury Lane Theater, area in London, is linked to the atmosphere and history of the famous old showcase. Miss Andrews and the two Americans cavort in some very funny slapstick, including a “Cinderella” take‐off of traditional English pantomime. Even a tender, dramatic vignette, with Miss Andrews and Mr. Van Dyke in a fogshrouded meeting during World War II, Works appealingly. The songs flow almost continuously, enhanced by the muscular leaping of the Paddy Stone Dancers, clad as Covent Garden street workers. The ensemble finale is dandy, with a cavalcade of excerpts of songs from American hits at the Drury Lane, from “Rose Marie” to “Hello, Dolly!” Miss Andrews sings as beautifully as ever. Blake Edwards produced, Dennis Vance directed, and Marty Farrell, Frank Waldman and Dick Hills wrote the program.

In this musical comedy, two star-struck small town kids head for the Big Apple and become famous for their jitterbug act. Their fame doesn't last long, but they had fun anyway. Songs include: "Baltimore Bubble," "Gingham Gown," "Just a Bore," "Wasn't It You," "Kaneski Waltz" (Frank Skinner, Charles Henderson).

Night riders are terrorizing homesteaders, and the town doctor tries to keep the locals from forming a vigilante group. After more towns people are killed, however, the rest of the town makes the doctor the town sheriff and tells him to clean up the gang.

Six women on a beach tell each other their fantasies. These stories are shown to us as little sex vignettes.

It is the middle of summer in Onomichi in the 1970s, and 22-year-old Akira returns home with Yoshioka, his senior at university. Akira offers his parents' house to Yoshioka, whom he likes, and suggests that they spend their summer vacation together. To keep the senior occupied, Akira comes up with the idea of inviting a girl to go out and play. He asks his childhood friend Fumie to find some girls who are bored, and Miko, who has a bit of an unusual personality, joins him, and the four of them start hanging out. Eventually, Yoshioka's eyes on Meeko grow hotter and hotter, which annoys Akira.

Mamoru works as an illustrator in Tokyo. He and his girlfriend decide to visit his hometown of Onomichi. It is a bitter-sweet homecoming, for Mamoru has not been home in eight years. Upon his return, he experiences flashbacks of his ex-girlfriend, who died eight years ago. Feeling a sense of vulnerability, he visits the temple that he used to frequent in the past. There he sees a vision of Megumi, his ex-girlfriend...

"The series of episodes, or "chapters, is meant to portray dramatized biographical vignettes of my friends whose experiences and recollections reflect the archetypal character of my movies, the "lost girl," Angela Aberdeen." - Lucifer Valentine