Pelléas et Mélisande (Pelléas and Mélisande) is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's Symbolist play Pelléas et Mélisande. It premiered at the Opéra-Comique in Paris on 30 April 1902 with Jean Périer as Pelléas and Mary Garden as Mélisande in a performance conducted by André Messager, who was instrumental in getting the Opéra-Comique to stage the work. The only opera Debussy ever completed, it is considered a landmark in 20th-century music.
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A countess fleeing her husband mistakes a count for her hairdresser at a Monte Carlo casino.
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David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.
Les Misérables - 25th Anniversary in Concert
This concert, recorded to celebrate the 25th anniversary of the landmark musical Les Miserables, gathers the casts of the show's 2010 original production at the Queen's Theatre, the 1985 original production by the London company, and the 2010 production at the Barbican together for one performance. Together with talents like Michael Ball, Hadley Fraser, and John Owen-Jones, the performers present the play's musical numbers in a semi-theatrical style, fully costumed and with all the emotion of the musical's heyday.
Love Never Dies
Set 10 years later, the Phantom has escaped from Paris to New York where he lives amongst the joyrides and freak shows of Coney Island. He has finally found a place for his music to soar, all that is missing is his love Christine Daaé. In a bid to win back her love, the Phantom lures Christine, her husband Raoul, and their young son Gustave from Manhattan, to the glittering and glorious world of Coney Island... they have no idea what lies in store for them... You truly haven’t experienced Andrew Lloyd Webber’s Love Never Dies until you see this spectacular new Australian production, filmed at Melbourne’s iconic Regent Theatre.
Boris Godunov
Modest Mussorgsky's opera in prologue and four acts is performed by the Kirov Opera with performances from Olga Borodina, Alexei Steblianko and Sergei Leiferkust. Boris Godunov has obtained the throne of Russia by murdering the rightful heir Dmitry. An old monk, Pimen, witnessed this, and convinces his apprentice Grigory to avenge Dmitry's death. In the following years Grigory poses as Dmitry, raising an army against Boris, who is now convinced that he is being punished for the murder. Filmed in Russia during the collapse of the Soviet Union, this particular production of Mussorgsky's 1872 tale of political upheaval is considered a highly unique and historical moment in opera. Robert Lloyd stars in the title role of Boris Godunov.
Cendrillon
Massenet composed his opera about Cenerentola nearly 80 years after Rossini did his. And if you are looking for the outburst of the non-stop hilarity and the musical jokes of Rossini, you won't find it here. Also, while the Cendrillon was highly successful and popular in its time, it does not reach up to the artistic and musical levels offered by Massenet's other operas, like Manon, or Thais or Werther. Nevertheless, this is a delightful opera and it is well presented by The Royal Opera. Laurent Pelly created a ingenious setting with movable walls which are covered [in French] with the story of Cinderella, and which open and close book-like.
Tannhäuser
A romantic opera in three acts with music and libretto by Richard Wagner, performed by the Orchestra of the Teatro di San Carlo. The original title, Tannhauser und der Sangerkrieg auf Wartburg, reveals the real nature of the opera, born by a fusion of two traditional sagas and dedicated to the dualism of spirituality and sensuality and the possibility of redemption through love. Composed between 1843 and 1845, Tannhauser has a tormented musical theme, made up of constant variations. It debuted in Dresden in 1845 when Wagner was just over 30.
Die Fledermaus
Most opera houses ring in the New Year with Johann Strauss Jr.'s most popular operetta--the festiveness of which is appropriate for the occasion--and this December 31, 1983, Covent Garden performance follows suit. An exceptional cast--led by Hermann Prey and Kiri Te Kanawa as the couple whose marriage survives the comic indiscretions of three long acts--obviously has as much fun as the audience. Plácido Domingo leads the Orchestra of the Royal Opera House through its paces with panache. Prince Orlofsky's Act II party is always a splendid opportunity to pull out all the stops with surprise "guests," and this performance makes the most of its chance: entering the proceedings to sing one of his tailor-made chansons, "She," is French crooner Charles Aznavour, who is followed by dancers Merle Park and Wayne Eagling, their delightful pas de deux flashily choreographed by Sir Frederick Ashton.
Roberto Devereux
A lyric tragedy in three acts by Gaetano Donizetti, libretto by Salvatore Cammarano. Roberto Devereux was composed in the summer of 1837, the year, according to biographers, in which Donizetti seems to have suffered most, having lost his third son and his adored wife Virginia Vasselli. The opera made its debut at the San Carlo Theatre in Naples on October 28th in the same year and was a great success. The rehearsals of the original performance were postponed for a month due to censorship of the decapitation scene of the leading actor.
La Traviata
La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]
Don Carlo - ROH
Rolando Villazón Triumphantly Returns To The Stage As Don Carlo In The 2007/2008 Royal Opera House'S Producton Of Don Carlo. National Theatre director Nicholas Hytner's new staging of Verdi's grandest-- and arguably greatest -- opera, Don Carlo, was the highlight of the 2007/2008 Royal Opera House season. This new production marked Rolando Villazón's much anticipated and triumphant return. Set amidst the political, religious and sexual intrigue of the 16th century Spanish court, this epic work tells the tragic story of Don Carlo, a virtuous young prince who is pitted against the powers of a dominant, corrupt society. First staged at The Royal Opera House in 1886, this new production is the first new version of the 5-Act complete opera to be staged at Covent Garden in 50 years. With sets and costumes by Bob Crowley, direction by Nicholas Hytner, and an enviable cast, this production of Don Carlo is worthy of the greatness of Verdi's original, masterful work.
Stars in Your Eyes
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La Bohème
John Copley's enduring production of one of the most famously melodious and popular of all operas is a classic of the Royal Opera repertory. With historically accurate designs by Julia Trevelyan Oman and an excellent cast headed by Hibla Gerzmava and Teodor Ilincai, this 2009 revival, in which conductor Andris Nelsons makes a distinguished Royal Opera House debut, does full justice to Puccini's masterpiece. Recorded 2009.
Prunella
When Tourneur adapted the allegorical plays The Blue Bird by Belgian symbolist Maurice Maeterlinck and Prunella by British playwrights Harley Granville Barker and Lawrence Housman in 1918, they had been successfully staged for many years, opening in Moscow and on Broadway and everywhere. Today, the saccharine charm of these anti-modern fairy tales doesn’t work any more. But undistracted by the meaning or action of the film, we can enjoy the surface of Prunella all the better, the dazzling sets and costumes, silhouettes and painted backdrops created by the great art director Ben Carré in a fashionable Art Déco Neo-Rococo style.
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