Best movies like Something to Shout About

Hiring real zombies for a broadway show proves difficult.

The story of a small-time vaudeville trio and their rise to the big time.

The Disassociated Press wants Bugs Bunny's life story. Got a pencil? "First," says Bugs, "I was born." He quickly learns he is different from the other children: he's a "rabbit in a human world." He grows up to accept repetitive chorus boy jobs in such Broadway revues as "Girl of the Golden Vest," "Wearing of the Grin" and "Rosie's Cheeks." His career hits the skids and he's living on a park bench before he's discovered by that great vaudeville star, Elmer Fudd. Their dual comedy act is a hit, which leads to film roles. Will Bugs Bunny ever have to look back?

Swellegant and elegant. Delux and delovely. Cole Porter was the most sophisticated name in 20th-century songwriting. And to play him on screen, Hollywood chose debonair icon Cary Grant. Grant stars for the first time in color in this fanciful biopic. Alexis Smith plays Linda, whose serendipitous meetings with Porter lead to a meeting at the alter. More than 20 of his songs grace this tail of triumph and tragedy, with Grant lending is amiable voice to "You're the Top", "Night and Day" and more. Monty Woolley, a Yale contemporary of Porter, portrays himself. And Jane Wyman, Mary Martin, Eve Arden and others provide vocals and verve. Lights down. Curtain up. Showtune standards embraced by generations are yours to enjoy in "Night and Day."

A group of children put on a show in order to prove that a down and out musician was the real composer of a Broadway show's songs.

Husband-and-wife vaudeville stars separate when success goes to his head.

Once a famous Ziegfeld star, Dodo Delwyn, is reduced to playing clowns in burlesque and amusement parks as a result of his drinking. His son Little Dink idolizes Dodo and faithfully believes in a comeback. He persuades "Uncle" Goldie, Dodo's agent in the good old days, to find a booking for Dodo. He can't, and Dink is sent to live with his remarried-and-wealthy mother, Paula. The unhappy Dink runs back to his father. His welcome return gives Dodo the courage needed to try a knockabout TV show offered by Goldie

Broadway producer Nickie North and press agent Scoop Trimble find an investor for their next show who insists that they cast his ex-girlfriend, Clarice Sheldon, in the lead role and rehearse out of town. The crew set up on a family farm, and all is well until the leading man falls for the farmer's daughter, Patience Bingham. When flighty starlet Sheldon finds out he has a new girlfriend, she takes off, leaving North and Trimble to find a new leading lady.

A Brodway producer discovers new talent in a small Georgia town and brings them to New York for his new show.

Broadway producer, Max Bialystock and his accountant, Leo Bloom plan to make money by charming little old ladies to invest in a production many times over what it will actually cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.

The first musical comedy from the Grand National assembly line, Hats Off stars John Payne and Mae Clarke as rival press agents Jimmy Maxwell and Jo Allen. Both have been assigned to stir up publicity for separate expositions at the 1936 Texas Centennial (newsreel footage of which predominates throughout the film's short running time). To throw Jimmy off the track, Jo pretends to be a schoolteacher, but by the time the ruse has been revealed, the two leading characters have fallen in love.

Lulu Monahan, the press agent for John Barrymore, is attempting to get a sponsor for a radio program. To that end, she and the agent for bandleader Kay Kyser, plant a story that the great Shakespearean actor, over his heartfelt objections, will teach Kyser how to play Shakespeare, which isn't the same as playing Paducah, which soon becomes evident.

For the ventriloquist Gabbo his wooden dummy Otto is the only means of expression. When he starts relying more and more on Otto, he starts going mad.

Ambitious stage mother Rose Hovick wants desperately for her daughter, June, to become the vaudeville star she never was. With the help of savvy but kind-hearted agent Herbie Sommers, Rose realizes her aspirations for June, but when her new star rebelliously elopes, June's shy sister, Louise, reluctantly steps into the spotlight, transforming herself into the legendary burlesque star Gypsy Rose Lee.

A young woman at a girl's school in Switzerland makes up stories about and writes herself letters from an imaginary explorer-adventurer father; and is eventually put in a position where she has to produce him. Interesting things happen as she talks a visiting Englishman into helping her out.

Wildly optimistic chatterbox Eva Lovelace is a would-be actress trying to crash the New York stage. She attracts the interest of a paternal actor, a philandering producer, and an earnest playwright. Is she destined for stardom, or will she fade like a morning glory after its brief blooming?

George Cabot Jr., the son of a department store owner, enrolls Kristina Nielsen, the store's sports clerk, at a university to use her as an advertisement for their fashion department. She falls for Larry Taylor, a teacher, and gets expelled.

This is a film about the life of Gus Edwards, a well known vaudeville composer, entertainer, and producer.

Bill Miller is an unsuccessful Broadway performer until his handlers convince him to enhance his act with a stooge—Ted Rogers, a guy positioned in the audience to be the butt of Bill's jokes. After Ted begins to steal the show, Bill's girlfriend and his pals advise him to make Ted an equal partner.

Chorus girl Peggy Lane, finds a small part in a new show for David North, a stages-truck country boy. At rehearsal, David meets Delerys Devore, the show's star, and she quickly offers him a larger part in her act. Quite taken with David, Delerys invites him to her home on the pretext that Peggy will be there; when Peggy does not show up, David leaves, infuriating his hostess. Derelys has Peggy fired the next day, and in reprisal Peggy goads her into a Carmenesque fight backstage just before the show. Derelys is unable to go on stage, and Peggy takes her place, becoming the hit of the show. Peggy and David are later married and give up show business, finding contentment living on a farm.

A famous singer and matinée idol helps a pretty young theater usher in her dreams of becoming a singer, but when her career begins to take off and she becomes engaged to a wealthy young man, he realizes he's fallen for her and plots to break up her impending marriage.

Joan Daley, a New York booking/press agent, attempts to recruit two local stand-ins, Jinx Terry and Lois Morgan, when the Cuban sister-act, Marianela and Rosita she as booked into the nightclub for which she works fails to materialize. Complications arrive when the real Cuban sisters show up.

A wealthy young man falls hard for a beautiful showgirl, and her wily father quickly realizes the naïve boy would make the perfect investor for his daughter's new show. Comedy with music.

In 1898, composer Sid Barnett manages to get his sweetheart, Adeline the beer-garden singer, to sing the lead in his new Broadway operetta; this infuriates Elysia, the erstwhile star. But Sid frets as Adeline spends increasing amounts of time with the dashing Major Day.

A Russian dance company agrees to stage the new ballet written by a vaudeville hoofer.

Ex-vaudeville performer Trixie makes a come-back, and threatens to thwart the ambitions of her song-writing step-children, Bob and Judy.

In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.

Biographical movie about the early 20th century broadway stars Nora Bayes and Jack Norworth.

A Broadway director rescues a starlet from mobsters who blame her for a shooting.

Bob Allen, a struggling songwriter poses as a millionaire cowboy to win Broadway star Babs Lee.

Bonny Kane and 'Skid' Johnson are vaudeville performers in the 1920s. The two of them suffer marital difficulties when Skid gets an offer to appear on Broadway while Bonny gets left behind on the road. Things get worse with Skid's increasing drinking problem and the fact that the press has reported him to be spending a lot of time with his pretty co-star.

Burlesque queen Doll Face Carroll is dismissed from an audition for a legitimate Broadway show because she lacks culture. Her boss/manager Mike decides that she can get both culture and plenty of publicity by writing her autobiography. He hires a ghost writer to do all the work, but doesn't count on the possibility that Doll Face and her collaborator might have more than a book on their minds.

A producer and his partner clash over two women in show business.

Harriet Green, a beloved and radiant music hall star of the Edwardian era mysteriously disappears on the eve of her wedding. Years later she reappears on the stage as young looking and beautiful as ever.

Theatrical agent Waldo Main is inducted into the army, and turns his now clientless agency over to his secretary Dottie Duncan. Dottie decides to organize an all-girl orchestra to fill the void caused by so many orchestra members being called to service due to WWII, and joins struggling singers/songwriters Sally Richards and Sue Ford in this endeavor. Dottie's screwball schemes to get engagements for the group often lead to disaster.

The "Caliban-Ariel" romance of fiftysomething John Barrymore and teenager Elaine Barrie is spoofed in this delightful 20th Century Fox musical. Adolphe Menjou plays the Barrymore counterpart, a loose-living movie star with a penchant for wine, women, and more wine. Alice Faye plays a nightclub singer hungry for publicity. Her agent (Gregory Ratoff) arranges a "romance" between Faye and Menjou. Eventually Faye winds up with Michael Whalen, allowing Menjou to continue his blissful, bibulous bachelorhood. Sing, Baby, Sing represented the feature-film debut of the Ritz Brothers, who are in top form in their specialty numbers--and who are awarded a final curtain call after the "The End" title, just so the audience won't forget them (The same device was used to introduce British actor George Sanders in Fox's Lancer Spy [37]).

A Broadway show is forced to bow to the whims of a talentless, whacky, but rich, Broadway actress with a contract.

A barker at a down-at-the-heels carnival becomes a powerhouse New York publicity man as he transforms a sideshow dancer into a Broadway sensation.

Ole and Chic are comedians employed in a nightclub, but seeking to be released from their contracts to take a better job. But the prissy nightclub owner, B. J. Wagonhorn, refuses to let them go. In reprisal, they start hurling insults at the nightclub patrons… a ploy that soon has them facing multiple lawsuits… to the delight of three struggling attorneys, Charlie Rodman, Bettty Wilson and Arthur Lane.

A press agent for a Broadway actress whose career is going downhill, attempts to get her some publicity by having her adopt two orphans, without her knowledge.

A failed actor finds success as a radio singer.

A talented songwriter gets his inspiration for songs from others and not from within himself. He is oblivious that he may harm other people when he uses their stories or their love for himself.

A married singer, pianist/composer team are struggling to hit it big in New York. Finally, they audition before a Broadway producer, but the producer only wants the singer, leaving the husband without a job and feeling a failure.

When amateur songwriter Jill Wright moves from the Midwest to New York City, she is dismayed to discover that Rick Farrell, the owner of Miracle Publishing Co., has claimed as his own the song she submitted to his company. One of the many films made at Republic with a year attached to the "Hit Parade" title, which came from the "Hit Parade" radio program sponsored by Lucky Strike cigarettes.

A musical special celebrating the fruitful collaboration of Broadway lyricist/librettist Alan Jay Lerner and composer Frederick Loewe. Stars from the current Broadway hit "Camelot" and from past triumphs such as "My Fair Lady," and the film "Gigi" perform the romantic, sophisticated songs of Lerner and Loewe.

In this musical comedy, two star-struck small town kids head for the Big Apple and become famous for their jitterbug act. Their fame doesn't last long, but they had fun anyway. Songs include: "Baltimore Bubble," "Gingham Gown," "Just a Bore," "Wasn't It You," "Kaneski Waltz" (Frank Skinner, Charles Henderson).

A family vaudeville act is threatened when the eldest son is offered a contract to play baseball. Musical.

An aggressive agent turns a hotel porter into an overnight sensation.

A musical television special chronicling the early career of playwright George M. Cohan, focusing primarily on his vaudeville years as part of his family singing group "The Four Cohans."

When Tad Wallace's act flops on Broadway, he joins a troop heading west. In a small town, they run into Jeffries who has just burned down the theater. When Jeffries kills Griswold, Tad has a plan to trap him by using the talents of Shakespearian actor Thorndyke.