Best movies like Visitors

Witch’s Cradle is an unfinished Maya Deren film made in the Guggenheim Gallery during a surrealist “Art of this Century” exhibit. It was assembled long after her death by staffers within the preservation department at Anthology Film Archives.

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

Neurotypical is an unprecedented exploration of autism from the point of view of autistic people themselves. Four-year-old Violet, teenaged Nicholas and adult Paula occupy different positions on the autism spectrum, but they are all at pivotal moments in their lives. How they and the people around them work out their perceptual and behavioral differences becomes a remarkable reflection of the "neurotypical" world — the world of the non-autistic — revealing inventive adaptations on each side and an emerging critique of both what it means to be normal and what it means to be human.

A blending of documentary and experimental narrative strategies, combining stunning 16mm landscape cinematography with a bold, lyrical voice-over to share two San Francisco stories: the history of the Golden Gate Bridge as “suicide landmark,” and the story of a butch dyke in San Francisco searching for love and self-discovery. The Joy of Life is a film about landscapes, both physical and emotional.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Image and music are intertwined in this third collaboration between director Godfrey Reggio and composer Philip Glass. The film was produced to celebrate the World Wildlife Fund's Biological Diversity Campaign. The film combines images of nature with pulsing rhythms in a Microcosmos (1997) meets Koyaanisqatsi (1983) spectacle.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

First time father Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child.

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

Shot entirely without dialogue and filled with suggestive violence and psycho-sexual imagery, it's like a skid row expressionist thriller following the nocturnal prowling of a young woman haunted by homicidal guilt.

Victor Marswell runs a big game trapping company in Kenya. Eloise Kelly is ditched there, and an immediate attraction happens between them. Then Mr. and Mrs. Nordley show up for their gorilla documenting safari. Mrs. Nordley is not infatuated with her husband any more, and takes a liking to Marswell. The two men and two women have some difficulty arranging these emotions to their mutual satisfaction, but eventually succeed.

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.

Experimental film consisting of a single static shot of the Empire State Building from early evening until nearly 3 am the next day.

Two friends named Gerry become lost in the desert after taking a wrong turn. Their attempts to find their way home only lead them into further trouble.

A rapper finds himself possessed by the soul of a dead fashion designer; frequently switching personalities.

Kenya McQueen, a corporate lawyer, finds love in the most unexpected place when she agrees to go on a blind date with Brian Kelly, a sexy and free-spirited landscaper.

The Committee, starring Paul Jones of Manfred Mann fame, is a unique document of Britain in the 1960s. After a very successful run in London’s West End in 1968, viewings of this controversial movie have been few and far between. Stunning black and white camera work by Ian Wilson brings to life this “chilling fable” by Max Steuer, a lecturer (now Reader Emeritus) at the London School of Economics. Avoiding easy answers, The Committee uses a surreal murder to explore the tension and conflict between bureaucracy on one side, and individual freedom on the other. Many films, such as Total Recall, Fahrenheit 451 and Camus’ The Stranger, see the state as ignorant and repressive, and pass over the inevitable weaknesses lying deep in individuals. Drawing on the ideas of R.D. Laing, a psychologically hip state faces an all too human protagonist.

In one of the first films to use computer animation, director Peter Foldès depicts one man’s descent into greed and gluttony.

Claire lives with her wealthy adopted parents in a luxurious and isolated house in the woods. She discovers a wounded and bleeding boy her age in her family's garden shed. The boy is a young drug courier from Afghanistan; shot and wounded after serving his purpose as human packing material. Claire decides to keep the boy a secret. He slowly recovers under her care; and they fall in love. When the drug dealers return and Claire's family is due to move back to the city; they decide to flee; though Claire finds it difficult to outrun her past as an abandoned child.

An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.

An unsentimental elegy to the American West, Sweetgrass follows the last modern-day cowboys to lead their flocks of sheep up into Montana's breathtaking and often dangerous Absaroka-Beartooth mountains for summer pasture. This astonishingly beautiful reveals a world in which nature and culture, animals and humans, vulnerability and violence are all intimately meshed.

An exhilarating, provocative motion picture. The Rolling Stones rehearse their latest song, "Sympathy For the Devil," in a London studio. Beginning as a ballad, the track gradually acquires a pulsating groove, which gets Jagger into a rousing vocal display of soulful emotion that Godard captures on film.

A production company begins casting for its next feature, and an up-and-coming actress named Rose tries to manipulate her filmmaker boyfriend, Alex, into giving her a screen test. Alex's wife, Emma, knows about the affair and is considering divorce, while Rose's girlfriend secretly spies on her and attempts to sabotage the relationship. The four storylines in the film were each shot in one take and are shown simultaneously, each taking up a quarter of the screen.

Captures the parallel lives and intersection of two downhearted strangers staying at the same hotel on New Year's Eve.

Wiley Roth finds a severed human finger in his kitchen one night. Understandably freaked out, in a search across Los Angeles that brings them in contact with psychics, ineffectual police, crooked taxidermists, mysterious neighbors who might be on drugs, and a nine-fingered woman named Cheryl who might, improbably, end up being the girl of his dreams.

William is constantly shooting video journals of his life to have as souvenirs for himself. Feeling the end of his relationship with Médéric, his young lover, William spends two days camping with him, taking advantage of the situation by filming the trip and their time spent with another young gay couple. The camera never stops shooting, even when Médéric decides to get it on with another guy in a tent. As Canada's first Dogme95 film, the story is shot on location, with natural lighting and live sound, the camera is hand-held and all superficial elements are forbidden. Yet somehow, in spite of these harsh restrictions during the filmmaking process, the result is warm and beautiful.

In order to avoid working in the red-light district of Bangkok, a Thai woman lives with an overweight expatriate. Their lives are uneventful and dull until a provincial mafia hitman arrives on the scene.

Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.

A young, jobless woman stays in bed, reads, talks on the phone, smokes cigarettes, makes fresh coffee, and tries on some clothes from a large wardrobe.

Seven entirely static shots make up James Benning's quiet reflection on existence in the Ruhr Valley.

Double Tide documents the work of a female clam digger in the mudflats of coastal Maine and is filmed on the rare occasion in which low tide occurs twice within daylight hours—once at dawn and once at dusk.

A tall, skinny boy obsessed with traffic cones, a lesbian Adam and Eve, a wise bearded man, and the self-proclaimed King of the Sea all wander about the surreal landscape of GLAMARUS, watched over by a man who lives in a television set.

The aristocratic White Mice and the rustic Creatures Who Dwell Under the Oak battle over the doll of their heart's desire.

Angel, a selfish rotter is hanging around in a local bar, groping the wife of the barman and dealing with weapons. One morning he wakes up finding a pair of wings growing at his back. These wings do good deeds against his nature. But suddenly he finds himself fighting those who want these wings for their own dark plans.

The story of J, a rich, party boy thrust into the workaday world by his father as the lowest man on the totem pole in a company he technically owns.

Stephen Fry tours the City of London, discovering the hidden mysteries of this rich and powerful square mile. Along the way, he visits the Bank of England's vaults, witnesses high drama at the London Metal Exchange as dealers buy and sell stocks, and experiences Dead Man's Walk at the Old Bailey, where many condemned criminals trod their final steps. Plus, as a recipient of the Freedom of the City of London, Stephen finds out just what privileges this gives him.

America's experiences during the Civil Rights Movement and the Space Race are well documented. However, few know about the moment these two worlds collided, when the White House and NASA scrambled to put the first black astronaut into orbit. This is the untold story of the decades-long battle between the U.S. and the Soviet Union to be the first superpower to bring diversity to the skies, told by the black astronauts and their families, who were part of this little known chapter of the Cold War.

Filmmaker Dan Murdoch spent last summer documenting clashes between a resurgent Ku Klux Klan, and a growing Black Power movement. Now in a follow up to 'KKK: The Fight for White Supremacy' he returns to America to revisit some of the people he met from the KKK and also meet members of the Black Liberation Movement: to find out what black power means, what their motivations are and why their movement seems to be gaining traction. With rare access to members of the Black Liberation Movement, Murdoch quickly finds himself in the midst of an armed black militia, outraged at the treatment of black people at the hands of police, patrolling the streets of their communities and calling for change.

Carla Andrews and Daniel Marx, a couple in a rocky relationship, decide to take some alone time in the Colorado mountains. After arriving, they quickly learn that they are far from solitude when Carla witnesses a murder at the hands of two cartel hit men. With the killers stalking them through the bitter cold, Carla must use her survival skills taught to her by her father to ensure she's the predator and not the prey in this bloody fight for survival. —John Prescott

The Angelic Conversation is a lyrical, haunting film about a young man’s search for love in a dreamlike landscape. Its tone is set by the juxtaposition of slow moving homo-erotic images and opaque landscapes through which two men take a journey into their own desires. Offscreen, Dame Judi Dench recites a sequence of Shakespeare's sonnets that counterpoint the action. Jarman called it, “My most austere work, but also the closest to my heart.”

A doctor in a mental research institution is driven insane by the spectacle of the horrors of the twentieth century.

The goddess Diana and her two attendants traverse the rugged terrain of Idaho’s Sawtooth Mountains in pursuit of the elusive wolf. An Engraver (Matthew Barney) furtively documents their actions in copper engravings and provokes a series of confrontations. The characters communicate through dance, letting movement replace language as they pursue each other and their prey.

When unlikely neighbors are trapped in an elevator with a coronavirus suspect, fear and racism spread among them faster than the virus.

65 shots making up a cryptically alluded-to narrative: a lesbian couple's Midwest travels, a hitchhiking young man's journeys, the story of a man who may be having an affair.

Set in a post-apocalyptic future, the story finds a handful of ragged survivors attempting to communicate with dolphins, while another cadre of survivors have made it their crusade to destroy all the world's religions.

In Passing is a collaboration between seven different filmmakers from around the world in response to Jesse Richards' 2008 Remodernist Film Manifesto.

Complete strangers meet in a room to act out their sexual desires.

While trying to reunite her grandfather with his lost love, Annika teams up with college sweetheart Ryan to create a book about the experience, documenting different love stories along the way.

An urban office worker finds that paper airplanes are instrumental in meeting a girl in ways he never expected.