Why Girls Go Back Home

The story of a small-time vaudeville trio and their rise to the big time.

Promoter "Smoothie" King helps a pair of phonies con their way into a movie company. As Wanda heads toward stardom, she turns more and more from King toward the matinée idol. King must decide between his plans and her happiness.

Fox comedy about an adventurous young woman

Wildly optimistic chatterbox Eva Lovelace is a would-be actress trying to crash the New York stage. She attracts the interest of a paternal actor, a philandering producer, and an earnest playwright. Is she destined for stardom, or will she fade like a morning glory after its brief blooming?

A romantic comedy, focusing on the love triangle between Bob Jones, Alysia Potter and Polly Meachum. Originally engaged, Bob and Alysia elope to Bowling Green, Connecticut, where they meet Silas Meachum, a campaigner against motion pictures, and his daughter, Polly. The eloping couple’s family arrive, chasing them, and persuade them to wait to get married. Polly goes to New York to join the Ziegfeld Follies, but is ultimately replaced by Alysia. As Bob consoles Polly, Alysia breaks off the engagement, and Bob and Polly may now marry.

Chorus girl Peggy Lane, finds a small part in a new show for David North, a stages-truck country boy. At rehearsal, David meets Delerys Devore, the show's star, and she quickly offers him a larger part in her act. Quite taken with David, Delerys invites him to her home on the pretext that Peggy will be there; when Peggy does not show up, David leaves, infuriating his hostess. Derelys has Peggy fired the next day, and in reprisal Peggy goads her into a Carmenesque fight backstage just before the show. Derelys is unable to go on stage, and Peggy takes her place, becoming the hit of the show. Peggy and David are later married and give up show business, finding contentment living on a farm.

The road-show troupe of a top Broadway show go cross-country while taking the audience along on the on-stage scenes as well as what happens and is happening back stage of the production. The spectacular dancing ensembles and colorful costumes and pulchritude on-stage offers a contrasting background to the drabness of the backstage, where joy, sorrow, tragedies, deception, and romance are intertwined.

The film concerns a family vaudeville troupe headed by patriarch Pete Monahan. Because of his love affair with the bottle, Pete manages to get himself and his family blacklisted from every major vaude house in the country. Though Pete's kids Jimmy and Patsy love their dad, they're forced to break away from the act and go off on their own to survive. Eventually, the whole gang is reunited in a shamelessly lachrymose musical finale.

The famous matinee idol and blackface comedian, Don Wilson, heads out of town to escape adulation. There, calling himself Harry Mann, he accidentally joins a traveling acting troupe, and falls in love with Ginger Bolivar, who runs the troupe and stars in their Civil War melodrama. Don's producer sees the play, and thinks it's a comic masterpiece, and just what Don's Broadway show needs. But when Ginger finds out she's been played for a fool, will she forgive Don?

Ex-vaudeville performer Trixie makes a come-back, and threatens to thwart the ambitions of her song-writing step-children, Bob and Judy.

In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.

Gangsters, nightclubs and the Roaring '20s.

Benny and Flo are a husband and wife dance team, Sloane and Darrel, traveling around the country as part of a revue. The revue gets picked up and taken to New York City, to be on Broadway. However, it quickly folds, and the two are forced to look for other employment. They eventually find work in a nightclub, becoming famous.But while performing at the nightclub, Flo becomes entranced by a young, sophisticated millionaire playboy, Winston.

Marjorie, a song-and-dance girl in the stage show of a palatial movie theater, becomes interested in Al West, a warehouse clerk who has put together an unusual jazz band, and uses her influence to get him a place on one of the programs. Max Mindel, the house manager, has a yen for Marjorie and, discovering that she is in love with Al, gives the band notice and hires harmony singers Barney & Bey as a replacement. Marjorie makes up to both men and soon breaks up the team. Al learns of her scheme, however, and makes her confess to the singers. Barney and Bey make up, and Max gives Al and his band one more chance. Al is a sensation, and Max offers him a contract for $1,000 a week.

Broadway dancing star Adele Dorey who, overworked and exhausted, suddenly ups and leaves New York in favor of a country village. But when promoter Bobby Lewis (Egan) of the barnstorming Gay Girlies Burlesque Company arrives in town, he picks an incognito Adele among all the pretty village girls to star in his new show. On a lark, Adele introduces her maid Jane (Louise Fazenda) as her mother and accepts a contract. When Adele's identity is finally revealed, the slumming star apologizes for her deception by offering Bobby a Broadway job.

The story of the romantic and creative partnership between Bob Fosse and Gwen Verdon. He was a filmmaker and one of theater's most influential choreographers and directors; she was the greatest Broadway dancer of all time. Together, they changed the face of American entertainment — at a perilous cost.

Ms. Julie teaches performing arts workshops with the help of her assistant Gus at their Wellspring Center for the Performing Arts.

Fran, fresh out of her job as a bridal consultant in her boyfriend’s shop, first appears on the doorstep of Broadway producer Maxwell Sheffield peddling cosmetics, and quickly stumbled upon the opportunity to become The Nanny for his three children. But soon Fran, with her offbeat nurturing and no-nonsense honesty, touches Maxwell as well as the kids.

A songwriting duo tries to create a hit with a Broadway musical based on the life of Marilyn Monroe.

That Girl is an American sitcom that ran on ABC from 1966 to 1971. It stars Marlo Thomas as the title character Ann Marie, an aspiring actress, who moves from her hometown of Brewster, New York to try to make it big in New York City. Ann has to take a number of offbeat "temp" jobs to support herself in between her various auditions and bit parts. Ted Bessell played her boyfriend Donald Hollinger, a writer for Newsview Magazine; Lew Parker and Rosemary DeCamp played Lew Marie and Helen Marie, her concerned parents. Bernie Kopell, Ruth Buzzi and Reva Rose played Ann and Donald's friends. That Girl was developed by writers Bill Persky and Sam Denoff, who had served as head writers on The Dick Van Dyke Show earlier in the 1960s.

A five-person team comprised of a thief, a grifter, a hacker, and a retrieval specialist, led by former insurance investigator Nathan Ford, use their skills to fight corporate and governmental injustices inflicted on ordinary citizens.

Since premiering in 1976, the landmark series has sought to democratize the world of the performing arts by making Lincoln Center's historic concerts and events available for public broadcast across the country. And it continues to push the boundaries, both technical and creative, of what is possible in the realm of stage performance capture.

This six part documentary miniseries presents the evolution of the Broadway musical from its inception in 1893 to current day 2004. It presents those influential players both on stage and behind the scenes, as well as a variety of influential Broadway shows, a handful which are known to have transformed the musical into what the audience knows it to be today.

A 17-part television documentary series on the history of modern pop music covering some of the many different genres that have fallen under the label of "popular music" between the mid-19th century and 1976, including folk, ragtime, Tin Pan Alley, vaudeville and music hall, musical theatre, country, swing, jazz, blues, R&B, rock 'n' roll and others.

The ultimate competition to find the nation’s best young theater stars amongst America’s top high school musical performers.

Jacob Gordon can't catch a break. A struggling actor with a personal life to match. His epic streak of bad luck just might change when he's cast in a Broadway musical; "The Ice Queen", opposite stage and screen royalty Veronica Bailey.

Penny Reilly is a reader for Broadway casting director Tim Trull attempting to become an actress herself. Throughout the web-series, we follow the misadventures of Penny and her love life.

“La mexicana y el güero” is the story of some scammers who try to deceive a millionaire who is looking for his biological mother through a plan that is funny about what is complicated. Itatí Cantoral, Gala Montes, Juan Soler, Luis Roberto Guzmán, Montserrat Marañón, Jacqueline Andere, Rodrigo Abed and Laura Vignatti, among many other stars.

The Hitter, the Hacker, the Grifter and the Thief are together again, this time with help from a new tech genius and corporate fixer, to take on a new kind of villain. From the man who created an opioid crisis from the comfort of his boardroom to the shadowy security firm that helps hide dangerous secrets for a price - when someone needs help, they provide... Leverage.

Robert Downey Jr. loves restoring classic cars. But he's also become dedicated to fighting climate change. So he's bringing his beloved old cars into the future, making them faster, more powerful, and more efficient while keeping their souls intact.