Best movies like Why Girls Go Back Home

A producer puts on what may be his last Broadway show, and at the last moment a chorus girl has to replace the star.

Hiring real zombies for a broadway show proves difficult.

Out-of-work singer Victoria Grant meets a just-fired, flamboyant gay man in a club in 1920s Paris. He convinces her to pretend to be a man who is a female impersonator in order to get a job. The act is a hit in a local nightclub, but things get complicated when a gangster and nightclub owner from Chicago, King Marchan, falls in love with "him." Filmed live on Broadway, 1995.

The story of a small-time vaudeville trio and their rise to the big time.

Nightclub gangsters hire a vaudeville act called the Three Funny Bunnies (Ritz Brothers).

Promoter "Smoothie" King helps a pair of phonies con their way into a movie company. As Wanda heads toward stardom, she turns more and more from King toward the matinée idol. King must decide between his plans and her happiness.

Husband-and-wife vaudeville stars separate when success goes to his head.

The vaudeville act of Harriet and Queenie Mahoney comes to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. When Eddie meets Queenie, he soon falls in love with her—but she is already being courted by Jock Warriner, a member of New York high society. Queenie eventually recognizes that, to Jock, she is nothing more than a toy, and that Eddie is in love with her.

In PRC's Follies Girl, Wendy Barrie plays dress designer Anne Merriday, who becomes the object of middle-aged millionaire J. B. Hamlin's (J.C. Nugent) affections. To save his dad from throwing his life away on a supposed golddigger, Hamlin's son, Army private Jerry Hamlin (Gordon Oliver), begins courting Anne-and, of course, falls genuinely in love with her himself. Meanwhile, the rogueish J.B. tries to mount a Broadway burlesque show, with costumes designed by Our Heroine.

Fox comedy about an adventurous young woman

Eddie is conned into fronting a speakeasy for a local gangster who intends to frame him for the murder of a cop.

Wildly optimistic chatterbox Eva Lovelace is a would-be actress trying to crash the New York stage. She attracts the interest of a paternal actor, a philandering producer, and an earnest playwright. Is she destined for stardom, or will she fade like a morning glory after its brief blooming?

A romantic comedy, focusing on the love triangle between Bob Jones, Alysia Potter and Polly Meachum. Originally engaged, Bob and Alysia elope to Bowling Green, Connecticut, where they meet Silas Meachum, a campaigner against motion pictures, and his daughter, Polly. The eloping couple’s family arrive, chasing them, and persuade them to wait to get married. Polly goes to New York to join the Ziegfeld Follies, but is ultimately replaced by Alysia. As Bob consoles Polly, Alysia breaks off the engagement, and Bob and Polly may now marry.

An aspiring dancer fakes her own kidnapping as a publicity stunt. Her new found fame causes trouble with her boyfriend.

Gertrude Lawrence rises to stage stardom at the cost of happiness.

Chorus girl Peggy Lane, finds a small part in a new show for David North, a stages-truck country boy. At rehearsal, David meets Delerys Devore, the show's star, and she quickly offers him a larger part in her act. Quite taken with David, Delerys invites him to her home on the pretext that Peggy will be there; when Peggy does not show up, David leaves, infuriating his hostess. Derelys has Peggy fired the next day, and in reprisal Peggy goads her into a Carmenesque fight backstage just before the show. Derelys is unable to go on stage, and Peggy takes her place, becoming the hit of the show. Peggy and David are later married and give up show business, finding contentment living on a farm.

The road-show troupe of a top Broadway show go cross-country while taking the audience along on the on-stage scenes as well as what happens and is happening back stage of the production. The spectacular dancing ensembles and colorful costumes and pulchritude on-stage offers a contrasting background to the drabness of the backstage, where joy, sorrow, tragedies, deception, and romance are intertwined.

Musical about vaudeville performers, from 1944.

An actor and two songwriters become rural con men.

Sam, a young man in a small town, is accused of being a thief. Unable to prove his innocence--and not knowing that he's being framed by a local villain to keep him away from pretty young Mary, the town beauty whom the villain wants for himself--he leaves town and goes to Hollywood to become an actor. He eventually returns home to town as a star, but once again finds himself the victim of the town villain, who this time abducts sweet young Mary. Sam must use all his acting skills to track down the villain and save Mary.

The film concerns a family vaudeville troupe headed by patriarch Pete Monahan. Because of his love affair with the bottle, Pete manages to get himself and his family blacklisted from every major vaude house in the country. Though Pete's kids Jimmy and Patsy love their dad, they're forced to break away from the act and go off on their own to survive. Eventually, the whole gang is reunited in a shamelessly lachrymose musical finale.

The famous matinee idol and blackface comedian, Don Wilson, heads out of town to escape adulation. There, calling himself Harry Mann, he accidentally joins a traveling acting troupe, and falls in love with Ginger Bolivar, who runs the troupe and stars in their Civil War melodrama. Don's producer sees the play, and thinks it's a comic masterpiece, and just what Don's Broadway show needs. But when Ginger finds out she's been played for a fool, will she forgive Don?

Prohibited from seeing her actor sweetheart Herman Brandt by her tyrannical parents, sweet young Vienesse lass Mariette defies authority by regularly visiting Brandt's downstairs apartment. The lovers' signal is a song called "The Firebird," which Brandt sings whenever he wants Mariette to visit him. When the actor is murdered, poor Mariette and her parents are prime suspects. But the truth is a bit more complicated than that, involving as it does a haughty aristocrat, a powerful diplomat and a most unusual "candid camera" device.

Broadway's most successful producer, John Forrester, is deeply in love with his wife Margaret and dreams of the future when his son Jack will step into his shoes. He sails to England to produce a show but the ship strikes a derelict wreckage and is sinking rapidly. In the ensuing wild panic, Forrester saves many lives, until finally, panic stricken by sudden fear, he dons a woman's clothes and is among the rescued. On the coast of Newfouldland, the villagers, not aware of his true identity, curse him but he is befriended by Alec who helps him conceal his identity. With a planned story of his survival, he returns to New York but cannot face his family or friends after he sees the plaque to his heroism on his New York theatre. Deciding to remain thought of as dead, he becomes a derelict himself, surviving on odd jobs as he watches from afar his now-grown son begin his career as a producer.

Ex-vaudeville performer Trixie makes a come-back, and threatens to thwart the ambitions of her song-writing step-children, Bob and Judy.

In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.

Showgirl Tony Landers, supported by her friend Flip Daly, fights for the custody of her son during a divorce hearing.

Gangsters, nightclubs and the Roaring '20s.

A detective goes undercover as a producer to investigate an actor's murder, which occurred during the performance of a play...

Bob Allen, a struggling songwriter poses as a millionaire cowboy to win Broadway star Babs Lee.

Blind Mrs. Lind comes to American to visit her three children whom she thinks are successful.

A celebrated Broadway actress and a wealthy widowed businessman are brought together through their shared affection for a young orphan.

Lupe Vélez plays a dual role, twin sisters Rita and Elaine. After escaping a torpedoed ship, Rita shows up in Manhattan, where she takes the place of her Broadway-star twin sister Elaine, who's having problems with her marriage and needs to make a getaway. Neither Elaine's husband or Rita's saxophone-player boyfriend are aware of the switch.

So This is Love? was another early Frank Capra production for fledgling Columbia Pictures. The hero, dress designer Jerry McGuire (William Collier Jr.), is tired of being considered a wimp. After business hours, Jerry secretly takes boxing lessons, enabling him to knock the stuffings out of his burly rival Spike Mullins (Johnnie Walker). Jerry's newfound pugilistic skills wins him the affections of store clerk Hilda Jensen (Shirley Mason), who's just car-razy about "cave men." Filmed in a fast three weeks, So This is Love? was completed before Frank Capra's Matinee Idol but released afterward. Leading lady Shirley Mason was the sister of Viola Dana, who starred in Capra's initial Columbia effort, That Certain Thing.

An infatuated debutante renews a Shakespearean actor's running feud with his leading lady.

Benny and Flo are a husband and wife dance team, Sloane and Darrel, traveling around the country as part of a revue. The revue gets picked up and taken to New York City, to be on Broadway. However, it quickly folds, and the two are forced to look for other employment. They eventually find work in a nightclub, becoming famous.But while performing at the nightclub, Flo becomes entranced by a young, sophisticated millionaire playboy, Winston.

Two couples work through their issues in this backstage Broadway musical.

A Broadway show is forced to bow to the whims of a talentless, whacky, but rich, Broadway actress with a contract.

Nancy Willows (Constance Towers), pretty blonde high school teacher, writes song lyrics which spark the careers of struggling young pianist-composer Martin Adams (Keefe Brasselle')and would-be singer Jerry Dennis (Frankie Laine). When Nancy and Martin fall in love but quarrel over her old flame, David Parker (William Leslie), Nancy returns to her teaching job. Jerry reunites Nancy and Martin and, in turn, succumbs to the charms of his new secretary Marge Stevenson (Lucy Marlow).

A crooked producer makes money from Broadway flops by selling more than 100% interest to multiple parties. He only fails if it makes a profit.

Marjorie, a song-and-dance girl in the stage show of a palatial movie theater, becomes interested in Al West, a warehouse clerk who has put together an unusual jazz band, and uses her influence to get him a place on one of the programs. Max Mindel, the house manager, has a yen for Marjorie and, discovering that she is in love with Al, gives the band notice and hires harmony singers Barney & Bey as a replacement. Marjorie makes up to both men and soon breaks up the team. Al learns of her scheme, however, and makes her confess to the singers. Barney and Bey make up, and Max gives Al and his band one more chance. Al is a sensation, and Max offers him a contract for $1,000 a week.

Show girl Jill Deverne is married to song writer Fred Deverne, and everyone is involved in the Broadway night life and endless parties. Jill is being pursued by a gangster, and she leaves her husband after he spends the night with a floozie. Jill ends up as the gangster's moll, but she soon gets tired of the lifestyle.

Dee is a naive chorus girl living in a boarding house full of low-paid actors. Dee and Billy are in love and he helps her to move from chorus girl to star. Things run afoul when jealousy, misunderstandings and sleazy men enter the picture.

Finding herself in dire circumstances, the widowed Sylvia Darling determines that her son, Stephen, will complete his college education and develop his supposed literary talents; thus, she accepts a contract as singer in a Broadway nightclub, billed as "Dearie," and becomes an immediate sensation.

Broadway dancing star Adele Dorey who, overworked and exhausted, suddenly ups and leaves New York in favor of a country village. But when promoter Bobby Lewis (Egan) of the barnstorming Gay Girlies Burlesque Company arrives in town, he picks an incognito Adele among all the pretty village girls to star in his new show. On a lark, Adele introduces her maid Jane (Louise Fazenda) as her mother and accepts a contract. When Adele's identity is finally revealed, the slumming star apologizes for her deception by offering Bobby a Broadway job.

The former members of a vaudeville team meet up again in a defense plant during WW II.

Chorus girl Gloria Carroll inherits one million dollars from Broadway playboy Herbert Dinwiddle. Producer Ned McLane persuades her to advance him the money on a production called "Lucky Legs" that will star her. Unfortunately, the money has "made the rounds" prior to reaching Gloria and several less-than-scrupulous characters set out to separate Gloria from her inheritance.

A small-town girl who goes to New York hoping to become a Broadway star falls in with a fast crowd.

As a favor to her old chorus pal Mrs. Dexter, Broadway dancer Phyllis Sherwood agrees to play a joke on a client of Mrs. Dexter's lawyer husband. The client, a roving rogue named Clyde Thompson, has a habit of romancing married women and has already made up his mind to make Mrs. Dexter -- whom he's never met -- his next conquest. Phyllis poses as Mrs. D. to throw Clyde off the track, leading to an unending supply of humorous complications.