Best movies like Close Harmony

The daughter of a struggling musician forms a symphony orchestra made up of his unemployed friends and through persistence, charm and a few misunderstandings, is able to get Leopold Stokowski to lead them in a concert that leads to a radio contract.

Henny Brown, talent scout for the Margaret Ames Film Agency in Hollywood, mistakes Broadway show understudies Judy and Marian, for stars Betty and Eileen, and signs them up for movies. Margaret, furious with Henny for the blunder, fires him---but only temporarily. Another agent, Marty Allen, once married to and still in love with Margaret, signs Betty and Eileen. Henny arrives with Judy and Marian, and the nightclub manager asks Henny to emcee the show. Though he is not sure himself what they can do, Henny introduces the girls and they make a hit in a dramatic sketch. Big-time movie producer R. J. signs them to a film contract. Judy joins the WAVES, Marian the WACS and Marty the Marines and all have two weeks before induction, and that is more than long enough to shoot a Monogram musical-within-a-Monogram musical and have a few days to spare.

Trusting country girl Marie Downey falls in love with touring stage-actor Clifford Dudley. As he becomes a matinee idol on Broadway, she turns a chorus girl.

Fox musical.

Dick Bannister is the new field boss of the Ford Logging Company, a Canadian logging-crew during a time when conflicts with the powerful Consolidated Lumber Company, a bitter rival company, have turned bloody, like a private war. His boss, Miss Edith Ford, comes to inspect the lumberjack camp, bringing her doctor fiancé with her. Dick is attacked by his rivals and left for dead. His loss of blood is so great that he needs a transfusion, but no human will volunteer, so the surgeon uses a wolf as a source of the blood. Afterwards, Dick begins having dreams where he runs with a pack of phantom wolves, and the rival loggers get killed by wolves. Soon, these facts have spread through the camp. (via YouTube)

Nightclub gangsters hire a vaudeville act called the Three Funny Bunnies (Ritz Brothers).

A music-hall star and his best mate are conned out of their earnings (twice!) and left with nothing but a beloved greyhound.

A bandleader, desperate to get his band's instruments out of hock, promises the pawnshop clerk--an aspiring songwriter--that he'll let the band's female singer do the clerk's songs at a local club if he will let the band "borrow" their instruments at night. The clerk's girlfriend, however, thinks that the band singer is after more than her boyfriend's songs.

A young songwriter struggles to make good in New York.

The top brass at a radio station believe their popular new star singer is paying more attention to his love life than to his career.

Thornton Sayre, a respected college professor - secretly formerly a silent films romantic action hero - is disturbed, feeling his privacy has been violated, and his professional credibility as a scholar jeopardized, when he learns his old movies have been resurrected and are being aired on TV. He sets out to demand this cease. However, his former co-star is the hostess of the TV show playing the films, and she has other plans.

On the day before Easter in 1911, Don Hewes is crushed when his dancing partner (and object of affection) Nadine Hale refuses to start a new contract with him. To prove Nadine's not important to him, Don acquires innocent new protege Hannah Brown, vowing to make her a star in time for next year's Easter parade.

Dixieland cornetist Red Nichols runs into opposition to his sound, but breaks through to success. He marries a warm, patient woman and even finds time to raise a family. Then tragedy strikes when their daughter contracts polio.

A farmer from Vermont travels to New York and becomes a successful singer in a nightclub.

It is the story of Ted Lewis, popular band leader and clarinettist. The music for the film was written by Harry Akst and Grant Clarke, except for "St. Louis Blues" by W. C. Handy and "Tiger Rag". The film's title comes from Lewis's catchphrase "Is everybody happy?" The film's soundtrack exists on Vitaphone discs preserved at the UCLA Film and Television Archive, but the film itself is considered a lost film, according to the Vitaphone Project website. A five minute clip from the film can be found on YouTube.

Shortly before the curtain goes up the first time at the latest performance of Earl Carroll's Vanities, someone is attempting to injure the leading lady Ann Ware, who wants to marry leading man Eric Lander. Stage manager Jack Ellery calls in his friend, policeman Bill Murdock, to help him investigate. Bill thinks Jack is offering to let him see the show from an unusual viewpoint after he forgot to get him tickets for the performance, but then they find the corpse of a murdered woman and Bill immediately suspects Eric of the crime.

A romantic comedy, focusing on the love triangle between Bob Jones, Alysia Potter and Polly Meachum. Originally engaged, Bob and Alysia elope to Bowling Green, Connecticut, where they meet Silas Meachum, a campaigner against motion pictures, and his daughter, Polly. The eloping couple’s family arrive, chasing them, and persuade them to wait to get married. Polly goes to New York to join the Ziegfeld Follies, but is ultimately replaced by Alysia. As Bob consoles Polly, Alysia breaks off the engagement, and Bob and Polly may now marry.

A night club singer falls for a gangster.

An aspiring dancer fakes her own kidnapping as a publicity stunt. Her new found fame causes trouble with her boyfriend.

Chorus girl Peggy Lane, finds a small part in a new show for David North, a stages-truck country boy. At rehearsal, David meets Delerys Devore, the show's star, and she quickly offers him a larger part in her act. Quite taken with David, Delerys invites him to her home on the pretext that Peggy will be there; when Peggy does not show up, David leaves, infuriating his hostess. Derelys has Peggy fired the next day, and in reprisal Peggy goads her into a Carmenesque fight backstage just before the show. Derelys is unable to go on stage, and Peggy takes her place, becoming the hit of the show. Peggy and David are later married and give up show business, finding contentment living on a farm.

An out-of-work band singer gets a job at a jukebox company and makes a hit.

The road-show troupe of a top Broadway show go cross-country while taking the audience along on the on-stage scenes as well as what happens and is happening back stage of the production. The spectacular dancing ensembles and colorful costumes and pulchritude on-stage offers a contrasting background to the drabness of the backstage, where joy, sorrow, tragedies, deception, and romance are intertwined.

A famous singer and matinée idol helps a pretty young theater usher in her dreams of becoming a singer, but when her career begins to take off and she becomes engaged to a wealthy young man, he realizes he's fallen for her and plots to break up her impending marriage.

An actor and two songwriters become rural con men.

An aspiring singer and her lover, a songwriter who has desperately resorted to writing radio jingles, have many conflicts on their road to success...

The film concerns a family vaudeville troupe headed by patriarch Pete Monahan. Because of his love affair with the bottle, Pete manages to get himself and his family blacklisted from every major vaude house in the country. Though Pete's kids Jimmy and Patsy love their dad, they're forced to break away from the act and go off on their own to survive. Eventually, the whole gang is reunited in a shamelessly lachrymose musical finale.

Allan Jones stars as hotshot baseball player Johnny Norton, in Havana for spring training. It turns out that Johnny has a beautiful singing voice, but only when he's suffering from a cold. Enterprising nightclub manager Barney Crane (William Frawley) attempts to inflict poor Johnny with cold germs, resulting in unchecked zaniness whenever our hero recovers sufficiently to lose his voice. The film's 63-minute running time manages to accommodate the drunken comedy relief of Hugh O'Connell and Jack Norton, and an abundance of musical numbers, courtesy of Allan Jones, Jane Frazee, the Horton Dancing Group, the Jivin' Jacks and Jills and Grace & Nicco.

College student, cattle baron, confused love story.

An actor plots "the perfect crime" by confessing to murders he didn't commit.

A man gets in trouble with his girlfriend when a beautiful movie star and her fiance come to his small town.

In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.

Katharine Hilliard, mousy dean of a stuffy music school, meets and is insulted by swing band leader Barry Clayton on a train. To "show" him she takes a friend's advice, removes her glasses, and puts on a designer gown. Naturally, she becomes gorgeous. Soon, both Barry and crooner Jimmy Hale are after her, and she finds herself in the midst of triangles and misunderstandings.

A sister act finds itself stranded and broke, and teams up with a medicine man who is promoting a child talent contest.

Mame Walsh promised their mother on her deathbed to look after little sister Janie. But Janie helps herself to everything of her sister's, be it her clothes or her men - even the money entrusted to her by fellow employees at the store they work at. Regardless, Mame can't break her promise. So when it comes to getting Janie out of trouble, big sister comes to the rescue.

Broadway producer Jerry Flynn is anxious to recapture the magic and reclaim the crowds after a set of costly flops. Outside his theater one night, Flynn meets a young boy who just might save the day. Inside a small box the boy shows Flynn his pride and joy: a caterpillar named Curly that dances to Yes Sir, That's My Baby. Word quickly spreads about the amazingly talented hoofer, and the caterpillar becomes a symbol of hope for wartime America. Soon, offers are pouring in to capitalize on this sensational insect.

Lila Beaumont is an understudy in a Broadway musical. Her boyfriend, George Shelby, arrives in New York hoping to take Lila back home with him to marry.

Benny and Flo are a husband and wife dance team, Sloane and Darrel, traveling around the country as part of a revue. The revue gets picked up and taken to New York City, to be on Broadway. However, it quickly folds, and the two are forced to look for other employment. They eventually find work in a nightclub, becoming famous.But while performing at the nightclub, Flo becomes entranced by a young, sophisticated millionaire playboy, Winston.

Two couples work through their issues in this backstage Broadway musical.

Nancy Willows (Constance Towers), pretty blonde high school teacher, writes song lyrics which spark the careers of struggling young pianist-composer Martin Adams (Keefe Brasselle')and would-be singer Jerry Dennis (Frankie Laine). When Nancy and Martin fall in love but quarrel over her old flame, David Parker (William Leslie), Nancy returns to her teaching job. Jerry reunites Nancy and Martin and, in turn, succumbs to the charms of his new secretary Marge Stevenson (Lucy Marlow).

A shy songwriter (Arthur Lake) pretends to be a championship wrestler known as "The Devil" in order to impress a pretty nightclub singer (Dale Evans).

Finding herself in dire circumstances, the widowed Sylvia Darling determines that her son, Stephen, will complete his college education and develop his supposed literary talents; thus, she accepts a contract as singer in a Broadway nightclub, billed as "Dearie," and becomes an immediate sensation.

In this drama, an ex-vaudevillian dancer opens up a dance band agency and help street kids at the same time by hiring them to help out. Unfortunately, the local gang of hood's leader resists his attempts. More trouble ensues when the dancer helps a convict gain parole by hiring him. It later turns out that the ex-con is only interested in trying to use the agency as a front for extortion. Songs include the Oscar nominated "When There's a Breeze on Lake Louise," "Your Face Looks Familiar," "Heavenly, Isn't He?" "Let's Forget It," "You're Bad For Me," and "A Million Miles From Manhattan."

National DJs help a promoter make an unknown girl a star, to prove the power of radio over TV.

Theater manager James Guthrie's (Melvyn Douglas) career depends on famed soprano Elsa Terry (Grace Moore) singing in his Buenos Aires opera house, however, Elsa breaks the contract in favor of a more lucrative deal in Paris. Desperate, James begins showering her with flowers and candy in an attempt to woo her to the Argentinian opera house. When Elsa overhears James confess to his friend Pancho that he'd be willing to resort to kidnapping to get Elsa to Argentina, she mistakenly believes his motives to be solely romantic.

Airline hostess Ann Parker is fired for being undignified when she sang to calm the passengers during a storm. Mike Connors, publicity man for Frankie Carle's orchestra, invites her to try out as the band's vocalist since the regular singer, Mary Lou, had just quit the band on the eve of an engagement at a swanky New York night club. Encouraged by her boyfriend, Steve Roberts, Ann lands the job and assumes the name of "Mary Lou", a trademark almost for Frankie Carle singers. But the departed Mary Lou shows up and threatens to sue if she is not rehired. Ann returns to her former job. Meanwhile, Steve locates the woman who was the original Mary Lou with the band, and urges Mike to keep the current Mary Lou off the bandstand until he can return with Ann.

Eddie Kehoe is a young vaudeville hoofer who thinks his inability to hit the big time is the fault of stage managers, agents, musicians...everybody but himself. Eddie likes to tell others how good he is, but seldom shows them. Kitty Mayo, an old-time burlesque queen, who is with the McNary Vaudeville Company, advises Eddie to get himself a partner, as his solo abilities can only be stretched so far. He decides to follow her advice and, while in a theatrical supply shop, he sees Rita Carey rehearsing her dancing act that includes a trained duck. Eddie tells Rita he is a good friend of McNary's, and, with him as her partner, her future in show business will be secured. She agrees to join him and Eddie promptly names the act "Eddie Kehoe and Partner". Despite his conceit, Rita likes Eddie, as do others in the troupe, including Cleo a little gold-digger.

In this musical comedy, two star-struck small town kids head for the Big Apple and become famous for their jitterbug act. Their fame doesn't last long, but they had fun anyway. Songs include: "Baltimore Bubble," "Gingham Gown," "Just a Bore," "Wasn't It You," "Kaneski Waltz" (Frank Skinner, Charles Henderson).

A young woman (Janet Leigh) leaves her small hometown in Vermont and travels to New York City with hopes of becoming a Broadway star.

Joan Terry, from Kansas City, comes to New York to get a job on the stage. But until she finds an opportunity, she stays at a boarding house where other talent is also waiting. To get a better chance, the people there decide to build a talent pool, where the person with the most chances for a job gets the full support, trying to get jobs for the others there too - and Joan is chosen to do that. But this is not so easy when her fiance is trying to keep her away from the stage...

John Stonehouse (William Russell) checks into a hotel, intending to commit suicide. But instead he winds up helping a girl, Gilberte Bonheur (Fritzi Brunette), out of a jam. He finds her bending over a man who she has apparently killed, and since he's about to kill himself anyway, he offers to assume the blame. Throw a valuable emerald into the works, and the fact that the dead man suddenly comes back to life, and Stonehouse -- not to mention the audience -- becomes thoroughly befuddled by it all. Everything clears up, however, when Gilberte gives him a theater ticket -- it turns out that everything he went through was the plot to a stage play, enacted in real life by the actors. The critics roasted the play, saying it wasn't true to life, and this was their proof that the situations really could happen. Gilberte retires from acting when Stonehouse proposes.